The
protagonist, the priest, who is never named, is the only priest left in a
certain state of Mexico
where priests have been outlawed. He has spent the last eight years running
from the police to evade capture. He is an imperfect archetype of a
savior/martyr, haunted by his past failures and yet still struggling to remain
committed to the priesthood.
The priest is a conflicted individual, but his
character grows; at the beginning of the story he tries to escape on a boat,
but at the conclusion, he goes back to the state where priests have all been
shot. Knowing he will be caught and killed, he returns to hear the confessions
of a dying murderer.
There were
many characters in this book representing “types,” such as the antagonist, the
lieutenant who hated the clergy; and the mestizo, a type of Judas. The many
children represented hope, as poignantly shown in the final few pages when the
young boy lets the priest into the house to hide him from the police. I most
identified with the priest and his internal struggles. Greene did an excellent
job of showing the priest’s outward struggle to avoid capture as well as his
inner turmoil of sin and unrepentant spirit with reference to his illegitimate
daughter. All the characters were real, deep, and memorable.
The
takeaway from this book to help me be a better writer includes:
1. Make
every character in the book count for a purpose and a deeper meaning than just
“another person” to fill up the pages.
2. Include
qualities even in the antagonist that make him a sympathetic character—the
story will be more believable. No one is all good or all bad.
3. Be
willing to tackle a controversial position—a protagonist that is severely
flawed and that falls short of the standard can still be redeemed, changed, and
become a hero.
4. Think of
ways to use people or animals or locations to enhance symbolic meanings that
grow the story. For instance, the priest’s fight with the dog over the bone;
the references to the dentist’s equipment and working on teeth; the numerous beetles bashing themselves
against walls—symbolizing pain, the fight for survival, the baseness of human
depravity, and loss of dignity.
5. What you
write will linger later in the mind of the reader—shine a light of hope; i.e.,
the priest who knocked on the door and was met by the young boy.
6. Not all books are to be
necessarily enjoyed, but perhaps serve a greater purpose. Do you want to only
entertain, or are you willing to probe the deeper meaning of life and leave the
reader with significant ideas to grapple with and ponder?
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