Showing posts with label creative writing. Show all posts
Showing posts with label creative writing. Show all posts

Monday, January 6, 2014

CREATIVE WRITING INSIGHTS: “The Art of Stuckness in Writing,” by Lorilyn Roberts


While I have never experienced stuckness in writing, more appropriately called writer’s block, I have to admit a great portion of my waking hours I am stuck on something; i.e., stuck in traffic, stuck waiting at the red light, stuck standing in line, stuck on hold on the phone, stuck staring at my computer screen, stuck waiting to get paid; or for someone to answer an email, or to get out of the dentist chair, or to get over a cold, or to get the car fixed, or for the stock market to return to transparency; or stuck waiting for free time—to read, write, slow down, relax; or get off the air from captioning. Tonight I didn’t finish till 12:30am. My chair seat and I spend too much time together. I might as well be stuck to it, too.

Recently I took my dog to the vet. She had poop stuck inside her that wouldn’t come out. Talk about being stuck—I’ll spare you the details, but being stuck is part of the fallen world and the human condition from which we can’t get escape. I can’t be spared the stress even in my dreams.

One recurring dream pictures me driving an orange bus. I am sitting in the back seat trying to maneuver it over a road that angles down a mountain at 180 degrees. I always wake up and never reach the bottom. I wonder what the bus represents. Why am I at the very back driving? And why does the road have such a steep incline? Which problem am I stuck on and unable to solve?

The worst part about being stuck is that it robs me of creativity, frustrates me, and puts me out of sorts with the world—and God in particular.

So, to give an example of an ongoing stuckness for this week, enjoy the following. Cry with me or laugh with me—either way, hysterically. Is this really believable?

At the beginning of the year, I decided to bundle my cable, phone, and internet accounts with Cox Cable. These services previously had been provided by both Bell South and Cox Cable. According to the Cox Cable representative, this would save me about $30 per month. In these “tough economic times,” I figured even with all the hassle of switching, over the course of time, $30 per month would become significant.

I wanted assurances from the Cox Cable representative of three things: First, how much money it would save me; second, that the switch in phone lines would not affect my internet/email; and third, I would not experience disconnects using their phone service.

Because I use my phone lines to provide live captioning for television, disconnects on live programming cause captions to become disrupted. If a station loses too much airtime, it will be fined by the FCC. Since stations don’t want to be fined, they take it seriously when a captioning provider has too many on-air issues, whether it be poor captions, disconnects, corrupted captions, or no captions at all. Too many issues will likely mean when the contract comes up for renewal, that company won’t be awarded the contract. Contacts with the larger stations like Fox, ESPNews, CBS, and others are multimillion-dollar contracts. If a captioner has too many disconnects, the captioning provider will “dump” the subcontractor, somebody like me, and hire someone else to perform the work.

I was assured by Cox Cable there would be no problem and that the quality of their phone service was as good as what Bell South had been providing me for years.

Fast forward a few days. The technician arrived and spent all afternoon wiring my house. He checked everything before he left, or so we thought, and I believed everything was working properly. Later that evening, I went online to check my email. I discovered while I could receive my email through Microsoft Outlook, I couldn’t send anything out of Microsoft Outlook. I called Cox Cable, and somebody came on the phone right away and fixed it. I breathed a sigh of relief.

Then, later that evening, I experienced several disconnects on programming I had never had disconnects with before. I ended up having more disconnects in one week than I had experienced in five years. I contacted Cox Cable two days later—I should have called them immediately—after several disconnects and was alarmed by their lack of responsiveness. In fact, they seemed shocked that such a small inconvenience as getting disconnected could cause me such anxiety. After a while, probably more to shut me up than anything else, the Cox representative assured me they would check it out and fix the problem.

But the disconnection issues continued. Within a week I was on the phone to Bell South to switch my lines back with them. I spent about an hour talking to a very nice representative answering various questions. At the end of the call, she said, “We need the information you have given me verified by a third party.” I was running out of time and needed to finish up to go on the air. I thought I would answer the final questions and be on my merry way, but the third-party verifier said her information showed I was only transferring one line. I said, “No, I am transferring two lines.”

We argued back and forth, and I realized I couldn’t solve this unexpected issue in one minute. I would have to cancel the entire request for the switch in service and redo the process the next day. I couldn’t risk having only one active phone line. I needed two active lines to caption. I told the representative, “If you can’t transfer both lines over, then cancel the order and I will start it all over tomorrow.”

The next morning, I called Bell South again. The woman on the line said, “Oh, it just shows up as one phone line, but it’s really two. The people that do the verification don’t know that.” And she said, “We can just undo the cancellation.” I said, “Great.” I had better things to do with my time than spending it redoing what I had already done the night before.


Fast forward two weeks. The disconnects continued, and I was forced to fill out far too many discrepancy reports. In the meantime, while I was waiting for the lines to be switched back, I discovered that my iPhone would not let me send out emails. I needed it to work because I was going out of town. I called Cox Cable to verify what the strange settings were I needed for my iPhone. The representative from Cox Cable convinced me to reset my settings on my Office Outlook back to what they were before I added the phone lines. I was skeptical about changing them, but I sent myself a verification email that came back to me promptly, so I assumed incorrectly she was right and knew more than I did.

I changed the settings on Microsoft Outlook as she instructed. I then called AT&T to put the settings back to what they were before on the iPhone. I had changed them trying to get the iPhone to work with the new settings for Microsoft Outlook. I spent a couple of hours on the phone with AT&T. Once this was accomplished, I thought everything on my email would be back to the way it was originally.

Later that evening, I went to the computer to check my emails. Once again, I couldn’t send out emails. It was late at night and there was nothing I could do about it except being frustrated.

Over the course of the ensuing weekend, I talked to several representatives at Cox Cable trying to find somebody who could change the settings to allow me to send emails. Most of them told me, “We don’t support Outlook.” By now I was approaching my limit of “niceness.” But I was going out of town, couldn’t take my computer with me, and figured I could send emails off my iPhone; not very efficient, but better than nothing. I would live with the inconvenience until the following Tuesday (this was on a Friday) when my phone lines were scheduled to be switched back to Bell South. With the settings I had, my Microsoft Outlook should work by then. I would be patient, even though I was frustrated.

Tuesday came and went, and nothing seemed to happen with the phones—except I continued to have disconnects. ESPNews had called twice about the number of disconnects during my programming. I had filled out about thirty discrepancy reports for lost air time with various companies for which I worked. I was concerned when nothing seemed different and was getting more paranoid. I called Bell South on Wednesday to ask if they had switched the phone lines and was told, “You canceled it two weeks ago.” When I told the representative that the woman said she would un-cancel it for me and that the lines would be switched in two weeks, she said, “You can’t un-cancel a cancellation.”

Now, I was angry. All this time I thought things were in process for the switch. Two weeks later, I had to start all over again. I spent an hour on the phone, going through the questions and answers the second time. I thought everything was taken care of now. But an hour later, I got a phone call, “The verification wasn’t done right. We need to redo it.” I said, “Okay,” and redid the verification a third time. “This is the final time,” I told myself, again.

A few hours later I returned home to a waiting message on my phone, “We need to verify the switch again. It wasn’t done correctly.” I wondered which verification was done wrong; the second one, the third one, or both? I called Bell South and told them, “I am fixing to go on the air, so I need to do this quickly.” They put me on hold and I assume forgot about me. I hung up and dialed in for my show, angry at the inability to accomplish something so simple yet so important.

The next day I was headed out of town and had no time to call Bell South. I was still unable to send emails out of Office Outlook. This was a big inconvenience because I receive over two hundred emails on a normal day. I continued to have disconnection issues while captioning. But I couldn’t do anything about it until Monday.

First thing Monday morning I made the dreaded call to Bell South. How many verifications did I need to do to get it right? After going through the whole story once again, the representative told me the switch had already been made on one line and the switch on the other line would be made in one week.

I was still experiencing disconnects on the line that supposedly had been switched so I was concerned. The representative from Bell South connected me with the technical department to see what could be causing the issue. I gave that person the number with which I was having issues. To my dismay, she told me, “That number is disconnected.”

Now I wondered who the blankety-blank was providing my crappy service on that line. I yelled at the poor woman and demanded to speak to a supervisor. While I was on hold, I dialed out to make sure the line was still working. I got a dial tone. Soon a woman who was “Ms. Control” came on the phone and was everything but helpful. Because she wouldn’t listen to me, I asked to speak to someone else, and then I was disconnected. I couldn’t imagine why.

I called Bell South back and got disconnected again. I called a third time (what else could I do), and explained all over again what I had been through to another person who knew nothing. She listened, put me on hold, and came back and told me that the line had not been switched yet. She said, “I was told by the technical department it looks like it’s disconnected because it is still in the process of being switched back.” In other words, they hadn’t received the paperwork yet. This was different from what I was told earlier, which probably explained why I was still having issues. The line was on Cox Cable’s equipment.

Tonight, as I sit here, I hope she is right and that my lines will be switched next Monday, as promised, and I will still have a job.

I was too worried to wait a whole week for my Office Outlook to work properly. I called Cox Cable and demanded they find somebody who could fix it to where I could send emails. I heard the usual run-around, “We don’t support Outlook.”

I gave them my angst, “You said switching the lines would not affect my email service, you made it possible for me to receive emails until your representative changed it to where it would no longer work, and I demand you find somebody to fix my Office Outlook NOW.” I was put on hold for too long, and then told a technical person would call me back shortly.

I waited two hours and no one called. So I took Joy to her gymnastics class. While driving, my phone rang. Of course, it was the Cox Cable technical support, now that I couldn’t talk. I asked him to call me back in fifteen minutes; I dropped Joy off and hurried home. A few minutes later, we connected on the phone. In lightning fashion, even faster than I thought possible, he fixed the issue. It’s amazing how quickly something can be done by competent people. As of right now, I am able to send from Outlook, though, of course, I still can’t send from my iPhone.

The almost end of the story is the bill I just received--$250 for the two phone lines. My Bell South bill in December was $154. The plan was to switch to Cox Cable and bundle my services so I could save $30 a month. When I asked the Cox representative about the higher-than-expected bill, she said, “Well, this isn’t a bundle.” I asked her why in the world I would switch from Bell South to Cox Cable if it was going to cost me $100 more per month. No, I am not stupid; even my kids give me more credit than that.

Why have I gone into such detail? Because I don’t think my reality is that different from everyone else. I just took the time to write it all down rather than throw the computer out the window, or throw my cell phone across the room (I do have experience with that), or wring somebody’s neck. I really don’t want to be stuck in jail.

But bringing stuckness back to writing, is it possible to have what is more commonly known as writer’s block? I don’t know about others, but for me at least, I have never experienced it. Any blocks toward writing do not stem from the writing act itself, but from the other parts of living that constrain me from creativity—worry, distraction, or near insanity dealing with issues like the above; the parts of living we long to escape from that consume our time, energy, and resources. Given enough futility, I can be left with a zilch desire to write.



We don’t live in paradise yet and won’t until the Lord’s return; so the question is, how do I deal with the stuckness that wraps its ugly tentacles around my emotions and invades my life? Does God even care, I wonder, when I am most depressed?

I fail in ways I would rather not mention in this G–rated piece of writing. I have a long ways to go to be like Jesus in dealing with stuckness of most varieties. But I have found the one thing that irks me the most is dealing with incompetence. Even something as simple as trying to unclog the commode or sink can send me into a tailspin of four-letter words a Christian ought not to say.

Caring is not enough. I care whether I can flush my commode, or that my dog needs to poop and can’t. The question, as raised in Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenance, is the definition of quality. Quality has much less to do with caring than competence. A person might care, but if he doesn’t have the necessary knowledge, all the caring in the world won’t fix that broken bone or save that broken marriage.

I might care a lot about my writing, but if I don’t know how to build a believable plot, all my caring isn’t going to make me a best seller. (I tried that, but it doesn’t work).

In the same way, almost everyone I talked to at Cox Cable and Bell South cared, but incompetency at various levels made their caring insufficient to fix my problem.

Stuckness always comes back to competence. Quality comes out of competence. It rises above mediocrity and exudes perfection.

As a Christian, quality takes on a more important meaning. Jesus was and is the Quality, and out of the Quality comes goodness. Taken in the context of a fallen world, we must find the goodness in the world or we will become too despondent with sin.


God commands us in the Bible to look for the good in everything. Philippians 4:8 tells us, Whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable—if anything is excellent or praiseworthy—think about such things.

Out of the worst circumstances, good can emerge. In earthquakes, we see goodness; from the help that arrives in the form of volunteers, food, water, and medicine. There is nothing like putting a face to quality. We shake our heads at what one determined person can endure to survive and become reacquainted once again with love and goodness—the quality that makes life bearable and for whom we are image-bearers. We reassess what’s important remembering once again life is precious, and only through love is there quality and reason for careful living.

If we didn’t have the struggles, we would have no story. If we didn’t have goodness, we would have no quality, no benchmark to measure our efforts, nothing worth striving for in writing. We would not be able to find redemption.

Even in my story here, there will be redemption. Why? Because I didn’t give up. I rarely give up, and perhaps that gets into the gumption aspect which I will save for the next writing piece.

I think what is most important is that we focus on the process and not the outcome. If we destroy ourselves or others to attain quality, we have short-circuited God’s best. As my mother used to say, “The road to hell is paved with good intentions.” I must learn how to handle the frustrations of the process—impatience, incompetence, uncertainty, worry, and all the less productive ways that tell me I haven’t arrived; if anything, that will end up leaving me stuck on the road to nowhere.

Who wants to stay stuck? We must do whatever it takes. Perhaps it takes years to get unstuck—from a divorce, from depression, from loss, or a host of other unimaginable circumstances. In order to attain quality, we must keep looking up, cease striving, and know where there is Quality, we can find goodness that is worth living for—and writing about. Sooner or later, if we are honest in our search, we will find more than competence. We will find quality in ourselves and in others, because we are the vessel of the Holy Spirit, and in that hidden place within us, there is Quality.

Thursday, December 27, 2012

CREATIVE WRITING INSIGHTS: “A Memoir or a Novel - How Does One Decide Which Way to Craft a Story Based on Real Life Events?” by Lorilyn Roberts



 Recently on a Linked-In discussion group, someone made this comment 

I’m strongly biased toward fiction unless you are trading on celebrity or some highly publicized event. Memoirs put out as imparting the wisdom of the elders or holding up your past mistakes as object lessons turn me off. The fact you were a moron yesterday doesn’t make you a genius today. Journals and memoirs may be great for family but most are less attractive to a general audience and often convey the message of pleading to be loved or admired. Make it fiction and you can be more candid and the reader can decide whether your experience was informative, moving or amusing based on its own merits.” 

I strongly disagree with his statement and share the following thoughts:

Memoirs are some of the most powerful pieces written today, but people are shortsighted. They don’t always see the value of first-hand accounts in the present. Without memoirs, we have history written by partial observers who bring their own worldview into play—maybe at the expense of writing with accuracy the way the events actually happened. Second-hand accounts are never as factual as first-hand stories and never as valuable for historical purposes. 

Many people love reading memoirs and will look for them in libraries and bookstores. Life experiences written by people reveal more about society than any history book or journalist covering a story. I am thankful for all the memoirs written today by all sorts of people to give us a peek into the present and the past.

For example, the world never would have known of Anne Frank if she had not written her diary. She was an unknown 13-year-old kid before her father published her diary.

If you have a compelling story to tell, tell it with passion, revealing your innermost struggles and thoughts. Being “real” with the reader will make your story come alive. In my memoir Children of Dreams about the international adoption of my daughters, I was open and vulnerable. That was the right way to tell that story. I could never have fictionalized it. 

I just wrote another book and this one is fiction, Seventh Dimension - The Door. In contrast with Children of Dreams, I took certain events from my own life and turned them into fantasy. I had a story to tell and the only way to tell it was as allegory and to fictionalize it. The point being, do what the story calls for and write it. Don’t let naysayers talk you out of writing your story the way you feel it needs to be told. At the end of the day, you have to live with the result and be happy with the story and the way you wrote it. 

These are some thoughts I would consider:  Who is your target audience? What is your purpose in writing your story? Can anyone be hurt or impacted negatively if you write your book as a memoir? If you write your story as a memoir in hopes of making money, you need to write your book as “creative nonfiction,” using fictional techniques.

For example, you need a beginning, a middle, and an end. You need to think in terms of “scenes” and “plot” and “problems” that need to be solved. The reader needs a takeaway—what can he learn from your memoir that would be meaningful or cathartic? No one wants to read someone’s boring biography.

If you decide to write your book as fiction, you will have more options and won’t run the risk of being sued or worried about divulging something you might regret later. However, you need the skills to write fiction. Writing fiction is harder than writing a memoir because you have to create “story” out of fiction and make the plot enticing to read. In a future piece, I will suggest some books for writing fiction that I used in my Masters in Creative Writing that I found helpful. 

I have written an award-winning piece on writing memoir that is posted on my website. Here is the link for anyone interested. Some might find it helpful. How to Write a Memoir in Twelve Easy Steps.

The most important thing as a writer is to keep writing and to keep learning—whether you write fiction, nonfiction, or memoir, and enjoy the journey!

Tuesday, January 3, 2012

CREATIVE WRITING INSIGHTS: “Who is a Better Story-Teller: C.S. Lewis or J.J.R. Tolkien?” by Lorilyn Roberts


 J.R.R. Tolkien vs C.S. Lewis












Who is a better storyteller, C.S. Lewis or J.J.R. Tolkien? Probably it depends on who you ask, but it fascinates me that the two were good friends and rose to fame and notoriety even in their own lives. I don’t believe we would have had a C.S. Lewis if we had not had a J.R.R. Tolkien, and vice versa. 
What is the probability that two of the greatest Christian fantasy writers of all time would live within a few miles of each other and sit in a local British pub night after night critiquing each other’s stories? (Unless their critiquing made it so; writer critique groups should be a part of every serious writer’s life). And critical they were. Stories of their divergent writing philosophies abound, but they helped each other to create masterpieces that have been enjoyed by millions and turned into magnificent Hollywood movie productions.
As a broadcast captioner, I caption a lot of sports, and occasionally I am called upon to caption boxing. Boxing is quite unique in that to have an undisputed winner, one of the boxers must deliver a knockout punch to his opponent. Sometimes the fighter is not able to deliver that fatal blow. When that happens, the judges are called upon to rate or assign values to various aspects of the fight since both are left standing. No one ever seems happy when that happens, particularly the loser, because the criteria for scoring are based on the perceptions of the judges, and we all perceive the world through different lenses depending on our life experiences.
In the same way, my analysis is biased, based on values drawn from a lifetime. I can't deliver a knock-out punch to one or the other and declare unequivocally that there is only one that deserves the award as the best storyteller in each category that I suggest. One observation I can make: I admire both more having read major compilations from each.
As you immerse yourself in superior writing, you become keener in appreciating the value of “goodness” and what is possible; the bane and mundane become boring and trite. You know the average is just ordinary, and having tasted something marvelous, your craving will remain unquenched until you find the next great story. It’s like finding a piece of heaven here on earth. Once you “taste and see the goodness of the Lord,” why would you settle for anything less?
In addition, not only are the writings of C.S. Lewis and J.R.R. Tolkien extraordinary, but the Christian worldview reassures me that good will prevail. Without a Christian worldview, there is no good story.
To help me evaluate and compare their writings, I thought I would apply a set of standards often used when you submit a piece for one of those contests to declare your book the best in a certain category. I thought about theme and motif and setting and dialogue and symbols and all those “critical” concepts that we rely on when judging. 
I even went to Spark Notes and looked up The Lord of the Rings to see what they had to say. Having won several Academy Awards, I knew there would be a plethora of ideas to get me in my thinking mode. 
Plus, sitting here at Starbucks with my vanilla latte does wonders. I found, though, that while I didn't disagree with the details found in Spark Notes, what I analyzed about “storytelling” from these books had nothing to do with what they highlighted. So I came back to my blank screen to write my own thoughts and how I feel about each author’s masterpieces.
Specifically, the books I read from J.R.R. Tolkien were The Fellowship of the Ring, The Two Towers, and The Return of the King. I had not read these books before. I had previously read The Hobbit, so when I began reading, I had that background. I had also seen all three movies, though, by the time I watched the third one in the trilogy, I was pretty much lost in Gondor somewhere and missed the battle. I think I fell asleep.
The book I read from the Narnia series was The Horse and His Boy. I had not read this story before, though I am fairly familiar with most of the other Narnia books and have also seen the movies The Lion, The Witch and The Wardrobe, Prince Caspian, and The Dawn Trader. At some level, prior knowledge of works by both authors influence my assessment here.

Light versus Darkness:
I found The Lord of the Ring Series to be very dark; for example, the emphasis on evil stemming from the one ring that needed to be destroyed before it was too late. Sometimes the things we loathe are the things that most fascinate us, however. I started questioning, what in my life is the ring? What evil taunts me, consumes me, distracts me, overwhelms me? And the more power I give it over me, the more of myself I lose to it. So while the idea of the ring is captivating and thought-provoking, it is also dark and foreboding.
I found the Narnia Series to be more anticipatory of goodness despite the darkness. In The Lion, the Witch, and the Wardrobe, the snow is melting. Aslan is back, and the direct and indirect references, as well as Aslan’s personal appearances in The Horse and His Boy, were uplifting and encouraging.
Aslan is the recurring motif in the Narnia books while the ring serves that purpose in the Lord of the Rings. Because I preferred the goodness of Aslan over the evil influence of the ring, C.S. Lewis wins out in this comparison.

Story-telling -- which content did I enjoy more?
J.R.R. Tolkien wrote in a very classical style. I cannot imagine the kind of talent it requires to spend 50 pages getting from point A to point B without immense repetition, which did not happen. His imagery was breathtaking as I felt transported to the world of hobbits, elves, and dwarves in Middle Earth, where epic battles had been fought for thousands of years around the tiny world of the shire which seemed unaffected by it all.
I was disappointed in the end that the shire had not escaped the evil. I like to think that there are some things that evil cannot penetrate, and for me, the shire represented that paradise, that special place that will always be there despite whatever else bad in the world happens. It reminds me of a comment that Jesus made in Matthew 8:20, “Foxes have holes and birds of the air have nests, but the Son of Man has no place to lay his head,” referencing the fact that His home was in heaven and not on Earth.
In the midst of the journey, though, I got impatient. I wanted to get to the fires of Mordor and destroy the ring that I was helping Frodo to carry. I became frustrated, reading through pages and pages about prominent kings and characters from the past that added little to the story. But I trudged through it because I wanted to get rid of that darn ring. And, of course, the ring was destroyed quite a ways before the actual end of the story. I wasn’t sure I cared enough about the characters after the destruction of the ring to keep reading. I figured everything would end happily ever after anyway. I was relieved when I did finally get to the last page.
In contrast with C.S. Lewis’ The Horse and His Boy, and all of the Narnia books, I didn't feel bogged down in a never-ending journey that was almost doomed to end in failure. In fact, there was sadness when I finished The Horse and His Boy. As has been true with all of the Narnia books, I wanted more. I wanted to see Aslan again. I wanted to linger in Narnia. I didn't want the story to end. I have yet to read The Final Battle, and I tarry to do so because once I have read it, there won't be any more Narnia books to enjoy.
So on content, C.S. Lewis won out again.

Story-telling -- which style did I enjoy more?
C.S. Lewis incorporates one ingredient into his writing that J.R.R. Tolkien lacks: Humor. I relished those lighthearted, silly thoughts and playful moments; i.e., the horse who didn't want to give up his habit of scratching his back by lying on the ground with his legs up in the air.
J.R.R. Tolkien’s style represents a battle of epic proportions with serious consequences. If the main characters fail, Middle Earth is doomed.
In The Horse and His Boy, while there is a battle between good and evil, with Aslan’s help, you know that good will prevail. The story ebbs and flows with suspense, unpredictability, and action. The light nature of C.S. Lewis’ storytelling is refreshing. While probably artistically inferior to J.R.R. Tolkien, I preferred it. I just wanted a good story, not a literary masterpiece. Perhaps less sometimes is more.

The Take Away -- who wins out?
While I will probably read the Narnia books again (some I have already read twice), I will probably never re-read any of the Lord of the Rings books. However, that being said, for me, I believe the takeaway from J.R.R. Tolkien is greater. The overarching feel of the story, its grandeur, the meaning of the ring and how it applies to my life, the insignificant hobbits playing such an important role in destroying the ring (although in the end, Frodo failed), the mental images of a decaying world (reminding me of ours), the wise, slow-talking Ents (I need to slow down), Stridor who was a woman's man (will I ever meet someone like that), and Gandalf, the fearless wizard, and many others, these images will grow over time and become a part of me. Some parts of the story were understated. I will see or experience something that will trigger a reflection back to those scenes which have etched themselves in my memory forever.
Some of my favorite movies and books I have read or watched only once. Perhaps they stir within me feelings that I haven't fully explored, thoughts that I don't have answers to or motifs that still await redemption and therefore are painful to relive, much like reading about Christ's crucifixion in the Bible. It hurts too much. I can think of many such examples; e.g., the movie A Beautiful Mind and the book The Exodus.
So to sum up the results, who is the better story-teller, C.S. Lewis topped J.R.R. Tolkien in light versus darkness motif, story-telling content, and style, but J.R.R. Tolkien came in first with takeaway-- long-term impressions that will grow with the passage of time and increase in measure and fullness of meaning.


By Lorilyn Roberts

Wednesday, December 7, 2011

BOOK MARKETING: INTERVIEW WITH LORILYN ROBERTS: “Taste and See,” First Chapters by John 3:16 Authors





Interview with John 3:16 Marketing Network 
Founder Lorilyn Roberts

About
New Book
Taste and See


QUESTION: Why did you decide to publish Taste and See?

LORILYN: The idea for Taste and See, a Sampling of First Chapters, came after reading Nathan Bransford's blog on September 29, 2011. He asked the following question:

“There is so much talk about self-published books in the writing-o-sphere. But have you actually read one?"  69% said yes and 30% said no out of 1,772 votes.

That made me think, that one out of three readers has never read a book that is self-published, and if you include print-on-demand books, the percentage is probably higher. I thought, why not give those readers an opportunity to enjoy a sampling of first chapters by authors they have never heard about who are published in a variety of ways?

The John 3:16 Marketing Network doesn't make a distinction and I have always maintained that readers don't care how books are published. If someone finds a book he likes, he will buy it. From that thought came the idea, why not give authors an opportunity to share the first chapter of their book in a “First Chapters Sampling”?

We have all enjoyed chocolate samplings, coffee samplings, tea samplings, and other such assortments, and it's fun to "experiment" and try something new. Sometimes we find something we really like and then we head to the store or web and buy the product, whatever that might be. It's long been known as a proven marketing strategy to give people samples of free products to try, so we are just "piggybacking" on an old idea with a new twist.  I sent out an email to our members to see how many would be interested and the response was overwhelmingly positive.

A very small portion of the publishers was reluctant to let their author contribute a first chapter, so we offered the option to contribute something else; hence, the miscellany section. We wanted to include everybody who wanted to participate.

QUESTION: What are your long-term goals for Taste and See?

LORILYN: My long-term goal is to increase the opt-in list for the John 3:16 Marketing Network.  I hope to eventually offer free e-books, more sample chapters, and other book opportunities. Perhaps we will have a book club where books can be purchased at a discounted price.

The short-term goal is to provide exposure for the John 3:16 Marketing Network as well as Network authors. New and low-profile authors' greatest obstacle to successful sales is exposure. I hope readers will take advantage of this FREE opportunity to sample first chapters and other offerings by close to sixty authors. It's a win-win for everyone. Readers discover new authors, and authors get exposure to readers who may want to buy their books.

QUESTION: How were the books chosen for Taste and See?

LORILYN: The chapters in Taste and See were chosen by the authors themselves. The opportunity was weighted toward those who had contributed the most to the John 3:16 Marketing Network; i.e., featuring authors in the network on their blogs, posting Facebook and Twitter announcements for book launches, offering free e-gifts for book launches, participating in the forum, and other social networking activities.

QUESTION: How does Taste and See expand upon the John 3:16 Marketing Network's ability to help authors market their books?

LORILYN: Because this is an innovative idea, I am not sure how successful it will be to promote authors' books, but my feeling is we focus on process and God controls the outcome. My overall goal is to promote books with a Christian worldview, and in so doing, we are making an impact on the world. If we make a difference for one reader or one author, that is a profound accomplishment. Every great book ever discovered began with one person.

QUESTION: What other plans do you have for the John 3:16 Marketing Network in the future?

I have lots of ideas but until I finish my Masters's in Creative Writing, my time to implement them is limited. I do struggle with that because I tend to be impatient, but God is teaching me patience and to wait on Him. As it is said in Ecclesiastes 3:1: "To everything there is a season and a time to every purpose under heaven." (King James Bible, Cambridge Ed.)  It is then I remind myself that the John 3:16 Marketing Network is bigger than my vision and that God has a purpose and a plan. When I give my dreams to the Creator, He does far more than I could ever have hoped for or imagined.

My biggest “reward” from the John 3:16 Marketing Network has been the relationships I have formed with members. We pray for each other, encourage each other, share knowledge, post links to articles, announce upcoming opportunities, provide answers to questions, write book reviews, and offer encouragement when needed. We even share heartaches and disappointments, for there is a genuine humility among members. There is nothing else like it on the web.

For more information on Taste and See: Volume 1, click here.



Saturday, November 19, 2011

CREATIVE WRITING INSIGHTS: “Ten Characteristics That Make Good Books Great,” by Lorilyn Roberts


This article originally appeared on Pentalk’s blog.

An Author’s Study of the Classics
Ten Characteristics That Make Good Books Great
By Lorilyn Roberts




When I began my Masters in Creative Writing from Perelandra College two years ago, I was frightfully afraid I wouldn't be able to write fiction. I had spent the last thirty years reading and writing nonfiction in a journalistic setting. Long ago were the days I spent as a child reading fiction books about mushroom planets, traveling through tesseracts, meeting talking animals, solving mysteries of hidden staircases, becoming a heroine, and falling in love with war heroes. Those delightful stories were my constant companion and escape from reality; how different my early years would have been without those great books.

As I grow older, it’s refreshing to see my inner child peek out and remind me I am still who I was way back then. Yes, a little bigger around the waist with a few more wrinkles, but I treasure those wonderful stories that were such a big part of my childhood. What was it about them that stole my heart and brought me such a love for books and writing?

Could I write a book similar to those that I so dearly loved? Matthew 10:24 states, “A student is not above his teacher, nor a servant above his master.” I reasoned, how can I be the best writer possible unless I read the best literature? 


I asked my professor, Ken Kuhlken, “What is the most perfect book ever written?” From this question, we had a series of discussions that led to me taking two classes of independent study. I set about reading some of the books he suggested. I am now finishing my second class and am looking forward to reading works by C.S. Lewis and J.R. Tolkien. I saved the best for last.

After reading over a million words from the best literature, I have come to appreciate what makes a good book great is not by accident or luck. The stunning story that emerges from the pen of a Master is a work of art, painstakingly designed, written, and edited. The stories are  not created out of a “one size fits all” mentality or factory-produced where the plots are predictable and the characters “stereotypical.” To write a great book, I won't find GPS directions to get me there or weekend seminars to make it easy.

Those activities serve useful purposes, but not to write great stories. It takes a commitment to excellence, patience, talent, and perseverance.

After having read ten of the best classics, I also wonder if great writing is caught, not taught, borne out of pain and suffering. I was surprised by the many similarities in the biographies of classic authors: The crucible of suffering was imprinted in their lives and found its way into the pages of their books.


To help me sort through what makes these books classics, I have listed ten characteristics I found in common. You might be surprised. I know I was.

1.  Create characters that will be remembered long after the book is finished. We are made for relationships, and this part of our nature carries over into books. For example, I remember my first love crush from The Exodus by Leon Uris when I was seventeen; and the poor, battered soul in The Screwtape Letters by C.S. Lewis. Make characters memorable and your book will be remembered.

2. The Christian worldview speaks to the heart of man. While fads come and go, new ideas spread across continents, and knowledge increases with each passing year, written on our hearts are values that cross generations and cultures. All the classics I have read present a Christian worldview. While some make no mention of the Bible (Frankenstein), it is implied, and writers who have written classics embrace this universal truth.

3. Write tight plots. John Piper has written a wonderful book called Don't Waste Your Life.  I would say don’t waste your reader’s precious time by including scenes or characters that add nothing to the story. Every scene, every character, and every chapter must serve a point. Examples of the best are A Tale of Two Cities and Wuthering Heights. That doesn't mean there can’t be many characters. It just means each character must be absolutely necessary to propel the story forward.

4. To add to your book’s greatness, let it make a statement about society, about life, about those things that are deep within us that cause us to groan and laugh, reflect and ponder, and most of all, never to give up hope (The Brothers Karamazov).

5. Take risks. Original works oftentimes make people squirm because they take the reader out of his comfort zone. Some of the great classics were not originally well received because they were “different” (Wuthering Heights).

6. Don’t shy away from embracing controversial topics or paradigms that impact the story and raise the stakes for the protagonist (The Grand Inquisitor, Crime and Punishment, Frankenstein, The Power and the Glory, Wuthering Heights, The Brothers Karamazov, and Pride and Prejudice).

7. Redemption out of chaos brings hope, leaving the reader with optimism about his future. I am reminded that our words will outlive us in the pages of our books. Make your book a gift worth remembering. (Great Expectations, Crime and Punishment, Wuthering Heights, Pride and Prejudice)..

8. The tone, symbolism, and motifs should work in unison to undergird the subliminal theme and arc of the story. Make it relevant to the reader (Wuthering Heights, Crime and Punishment, The Power and the Glory).

9. Slow down the forward progression of the story sufficiently to explore the psychological and spiritual warfare experienced by the protagonist For example, here is a comment I wrote from my analysis of Crime and Punishment: “Never mind the ‘punishments’ I received. What I learned early on is I have a conscience. A relentless whisper spoke to me even when I didn’t want to listen. My guilt pricked my soul like a thorn, bothering me more than I could have imagined. I did not know I would feel so miserable before I committed each of my various “crimes.” I was forced to carry a heavy burden that painfully weighed me down until I either confessed my sin or my guilt was discovered. The suffering was relentless and did more to drive me to a loving God than the severe discipline I received from those who showed no grace.” (Frankenstein, Wuthering Heights, Crime and Punishment, The Brothers Karamazov, and Pride and Prejudice).




10.   Leave the reader forever changed. If your book is forgotten after the last page is read, you will have forfeited a great opportunity to make the world a better place.

If you have additional characteristics you would like to share, please do.

Lorilyn Roberts is an up-and-coming new author who writes with passion about life, politically incorrect topics, homeschooling, adoption, book reviews, author interviews, inspirational stories, family topics, Bible studies, poetry, and the art of writing. Lorilyn has written many books including The Donkey and the King, Children of Dreams, and How to Launch a Christian Best-Seller Book. She is the founder the John 3:16 Marketing Network, a network of Christian authors who focus on launching books, and the president of the Gainesville, Florida, Word Weavers Chapter.

Lorilyn’s personal website:  http://lorilynroberts.com.
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Saturday, August 27, 2011

I ALWAYS WANTED TO BE A WRITER: Devotional by Lorilyn Roberts





The teacher tossed my report on her desk. "I'm not going to read that,” she announced. “It's just copied work."

Thirty sets of eyes stared at me. What had been an engaging history review, reading class reports, was replaced with utter disdain. Whispers filled the silence and I sensed my face turning a crimson red.

The instructor shook her head in disbelief and proceeded to the next one.

I was devastated. My paper was not copied. I had used one source, the textbook, to verify a date. All the information came from my brain; I wrote it in an hour effortlessly while seated at my desk.

I was too upset to say anything—and for someone like me, who is outspoken to a fault, that didn’t happen very often.

When the school bell rang, I grabbed my books and ran home, replaying the humiliating scene over and over. I wondered how she could accuse me of such an injustice.

Later that evening, I told my parents what happened.

"Honey," Mom said to Dad, "You need to talk to that teacher. That's not right, to accuse Lori of plagiarizing in front of the class."

"Are you sure you didn't copy anything?" Dad asked.

"No,” I said. “I have never copied anything. I don't need to."

Besides that, I was a straight-A student. I wouldn’t want to receive a failing grade for cheating. My fragile self-worth was wrapped up in a perfect report card. To receive a “B” meant I had no value. My distorted self-image tainted my view of God, others, and myself.

 To be a high achiever was my way of dealing with the emotional baggage that I carried around for years until God freed me. My birthfather “left” my mother and me when I was little. I failed the first grade because I couldn't read. I was bullied for being a failure and ostracized for the first three years of school until we moved to a different district. I had no friends and felt out of place in a world that made no sense. I had all sorts of behavioral problems and was considered at-risk for juvenile delinquency. I was unhappy and lonely.

A psychologist tried to “straighten me out.”  He threw up his hands: “She's either a genius or retarded, I'm not sure which,” he told my mom, “though one thing I can say for sure, she has an undiscovered talent."

My mother told me that story when my love for writing became evident. I wrote short stories when I was eight, poems when I was ten, and nonfiction with gusto by the time I was in fifth grade. I wrote two fiction books by the end of middle school.

In high school, my writing took a back seat to music when I studied classical guitar, wrote songs, and was frequently asked to perform at major events, like the Georgia Honor Society, Kiwanis Club, and beauty pageants, after I was First Runner-Up in the Cobb County Junior Miss Pageant. 

Though insecurity kept me from becoming the person God created me to be, my passion to write took me to worlds where I could find hope and meaning, something my parents could not understand. In fact, they just didn’t understand me at all. They tried sending me to ”finishing” school, but I was bored. They would comment on my writing, "That's nice. Now go clean off the table."

Although my parents always stood up for me in important matters, when it came to choosing a career, they were practical.  They represented the American dream—entrepreneurial and hard-working. They started a map business that became the lifeblood of the family. Anyone raised in such a circumstance will understand how powerful the impact is on family dynamics.

But I took after my talented birthfather, a well-known photographer. My mother would point out his works in Life, Look, Southern Living, and National Geographic magazines. She always recognized his photographs before even checking the credits. But the compliments ended there. Her pain ran deep, and it prompted me to want to meet my birthfather many years later. I found Bruce Roberts to be much like me—creative, reflective, impulsive, unstructured, emotional, sensual, moody, and introverted. Most surprising was he understood me.

But because I valued my parents’ approval (I was adopted by my stepfather) I gave up what I wanted to do to become who they wanted me to be. Though part of me wilted on a vine, feeling cut off from the Great Gardener, it did mean I would be able to support myself later. Lest I sound ungrateful or angry, I am not.  Life is what it is, and as a parent, today I know they did the best they could. I didn’t turn into a drug addict, get pregnant out of wedlock, or make choices that society deems as “unacceptable.” I also now have a greater appreciation for how hard it is to parent, having raised my first one and still working on my second.

To this day, my mother's words still haunt me: "You never know what the future holds. You need to be able to put food on the table. Your father walked out on you and left me penniless."

While I was too young to remember much, I have one vivid memory that I shall never forget. I stood in front of the window and watched for hours for dad to come home (it was my second birthday). He never did.

Becoming a business major, a physical therapist or something that would meet my parents’ approval had no appeal to me. Following one year of college and a summer I would just as soon forget—I’ll spare the emotional details for brevity’s sake—I started court reporting college, and twenty months later, embarked on a court reporting career that spanned 20 years.

Did I like court reporting? No. I hated it. There were days I lashed out in uncontrollable rage over depositions that kept me up all night for an impending trial. The lack of control over my personal life was overwhelming. There were too many broken engagements to finish transcripts that wreaked havoc on an already strained marriage, which later ended in divorce. Frayed nerves dealing with irate attorneys who didn’t care a hoot about me caused me sleepless nights. Attorneys blew smoke in my face from cigars and cigarettes that made me sick. I took allergy shots for years to combat the health effects. The whole world of court reporting left me an angry woman. Even a once-caring doctor/husband couldn’t put me back together.

But court reporting did one thing: It made me self-supporting. After my husband “left” me, although devastated and broken, I had the freedom to choose my future. I recommitted by life to Jesus Christ in hopes of becoming the person He wanted me to be. God used those court reporting skills to prepare me for another career that would take me down a path toward dreams I had long forgotten.

Fast forward a few years—through heartbreak, counseling, and forgiveness. God redeemed much. I can now appreciate even more the life He has given me, and how He answered my prayers with two precious daughters from Nepal and Vietnam.

A profession that didn’t even exist when I was in court reporting school has allowed me to work fulltime from home—in a job I wouldn’t have if my parents had not been so adamant about being able to support myself.

Court reporting paved the way for closed captioning, and the journalistic nature of broadcast captioning gave me the self‑confidence to pursue my dream of writing.





I look back on the years that have passed since that day in fifth grade when I was accused of plagiarizing. What if life’s circumstances had been different? What if my parents had let me major in English? What if my husband had not left me?

We all have moments when we question monumental choices and outcomes that send us down one road rather than another. If God had made everything easy for me, I don’t believe I could have become who He wanted me to be. Those sought‑after accolades, striving for perfection, fear of failure, and overwhelming insecurity, made me too dependent on man and not on God. I needed to be independent of the world and others to find my security in the Creator.

In Jesus Christ, we live, breathe, and have our being—love unshackled, poured out, and overflowing. His love supersedes the injustices and the wrongs others have done to us and what we have done to them. We can embrace our passions and pursuits in the name of our heavenly Father who is never short on affirmation or long on remembering mistakes. No longer am I bound up in pleasing others or enslaved in co-dependent, unhealthy relationships, seeking approval to make me feel like I am “okay.” 

I also remind myself that we were created for heaven to be our home. The gifts God gives us, the temperaments we are born with, our strengths, and our eternal soul, were all intricately designed by the Creator for one purpose—to glorify Him.  That is the chief aim of man for our short time here, but more importantly, for all eternity. We are simply passing through on a journey, hopefully growing up in a way that will bring us closer to Him. 





Hebrews 11:13-14 states: All these people were still living by faith when they died. They did not receive the things promised; they only saw them and welcomed them from a distance, admitting that they were foreigners and strangers on earth. People who say such things show that they are looking for a country of their own.”

God never promised that we will “arrive” here on earth to fame or fortune. We might sell thousands of books; we might not. Most of us will be like those saints who went to heaven without ever accomplishing everything that God set before them. Many were martyred, but they died living out their passion and serving God in a world that was not worthy of them.

According to library.thinkquest.org, each year fifteen million children die from hunger. In sub-Saharan Africa alone, every year eight million children die from aids and malaria. In quieter moments, I wonder what those children could have become if they had been given a chance.

Or what about, since 1973, the almost fifty million children who have been aborted? Or the 150 million orphans in the world who long to be loved? We can rest assured that God is in control. He has counted the costs and given everything He has on the cross. He knows each of us better than we know ourselves. He is mindful of the suffering and has not forgotten even the sparrow that falls from a tree. It’s just that He’s more patient than us for justice to have its perfect way.

If we trust in Him, God will give us everything we need to become all that He intends for us to be—but it may not be here. It may be in the world to come, an eternity that awaits us, where love reigns supreme and no tears are shed. I take comfort that the perfection of the gifts He has given us will be completed when we arrive. I am reminded of Timothy 6:6:  “...godliness with contentment is great gain.”

I am thankful for my parents’ human wisdom, for the stumbling blocks and untoward circumstances that made at times pursuing my dreams difficult. It’s in the struggle that we learn faith, faith that will grow us up if we don’t grow weary. The fires of this world humble us if we are strong in Him and prompt us to ask: Who am I when no one is looking? Is the stuff I am made of, in this jar of clay, just stubble, or is it precious and chiseled by the Creator’s hands?

Love is God’s choice to allow us to be free. Have we used our freedom to die to our wants to receive a heavenly reward that earth can’t take away? Will we still have our gifts to lay before the throne (the gifts He’s given us), or will we have squandered them and lost the blessing? Do we fight the good fight, or do we give in to sin and temptation? Do we refuse to forgive that hurt? What are we holding onto that is more precious than God Himself? Are we even worthy to receive the gifts God gives us, or will we selfishly use them to buttress our own ego?

It's never too late to dream big and it's always too soon to give up. As I continue to work on my Master’s in Creative Writing, scrambling for a few minutes here and there to finish this book or write that review or commentary, I remind myself that things that matter are never easy. The details are in the process.

If we keep our eyes focused beyond this world on our heavenly home, God will accomplish His perfect will in every nook and cranny of our lives. The years the locusts have eaten will be redeemed, if not here, in heaven. The what if’s and if only’s will be replaced with acceptance of the things we can’t change and the wisdom to know the difference. Jesus holds the deed to earth in His scarred hands, and with thankfulness, I write, from a healed heart, remembering from whence I came, and hopefully touching the lives of others. The outcome is always in God’s loving hands.
                                  
To read more of Lorilyn Roberts’ blog posts, visit her website at LorilynRoberts.com                     



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Lorilyn grew up in Atlanta, Georgia, and currently lives in Gainesville, Florida, with her two daughters, her dogs Sirius and Molly, and four cats. Lorilyn is a media professional and provides broadcast captioning for television. She makes time to pursue her passion for writing and will earn her Masters in Creative Writing from Perelandra College next year.
Lorilyn has homeschooled her daughters for the past fifteen years. She has published many books, including The Donkey and the King, Children of Dreams; and How to Launch a Best Selling Christian Book. Lorilyn is president of the Gainesville, Florida, Word Weavers Chapter; and the founder of the John 3:16 Marketing Network.