LINKS TO BOOK PAGES TO ORDER
- Home
- Tails and Purrs for the Heart and Soul
- Seventh Dimension - The Door, Book 1, A YA Fantasy
- Seventh Dimension - The King, Book 2, A YA Fantasy
- Seventh Dimension - The Castle, Book 3, A YA Fantasy
- Seventh Dimension - The City, Book 4, A YA Fantasy
- Seventh Dimension - The Prescience, Book 5, A YA Fantasy
- Seventh Dimension - The Howling, Book 6, A Young Adult Fantasy
- Seventh Dimension Inspirational - Am I Okay, God?
- Children of Dreams, An Adoption Memoir
- Food for Thought: Quick and Easy Recipes for Homeschooling Families
- The Donkey and the King, a Story of Redemption
- Book Love - Young Readers Become World Leaders - An Early Chapter Book for 1st though 3rd Grade
Wednesday, April 6, 2011
CREATIVE WRITING INSIGHTS: “Love Your Characters,” by Lorilyn Roberts: Based on Ken Kuhlken’s Book “Writing and the Spirit”
Love Your Characters
A recent event popped into my head where I misjudged somebody’s comment. Fortunately, it bugged me enough that I said something about it to my daughter, who promptly straightened out my misunderstanding. I was thankful she did and later wondered how many times I’ve misjudged someone and never knew.
As a fictional writer, it’s important to understand the inner workings of even the most bastard character. The psychology of being is at the core of every living thing and crucial to what makes each individual unique. If we want to make believable characters, we better know what makes them itch, do something stupid, or surprise the reader; but to love them? I am not sure I can do that. Perhaps I can love getting to know them better as I create them, but I don’t know if I have the power of Dickens to love my antagonistic characters the way he did.
Thursday, March 31, 2011
JOHN 3:16 MARKETING NETWORK GUEST POST: Lorilyn Interviews Author Scott M. Shafer About His New Book, “What Every Dream Means”
LORILYN: Today I am running an interview with Scott Shafer about his new book, What Every Dream Means. I am intrigued by What Every Dream Means because it's difficult to find a book on this topic that is rooted in Scripture. Enjoy and learn how his new book might help you to understand your dreams.
Question: Tell us a little bit about yourself. Do you have an academic background that led you to search for answers to the meaning of dreams or did you have a personal experience that compelled you to ask questions in search of answers?
Scott: Early in my relationship with Christ, I had an ongoing desire and appetite to hear the voice of God. It was very organic and a natural byproduct of the intimate experiences of God's presence in my life at that time.
To my surprise, I soon discovered (by His grace) that God was already speaking to me, though I didn't realize it initially. I expected God to speak in a totally different way, but He had already been speaking to me in my dreams. Prior to this season in my life, I don't recall having dreams. I don't remember dreams from childhood and I have no memories of any dreams in my life until powerfully encountering the living Christ.
As soon as I realized this was one way God was speaking to me (it was not unusual to have several dreams a night during this time) I began journaling in a process of trying to understand my dreams and their symbolism through prayer and sharing with others. This led me on a journey of study, reflection, meditation, prayer, and working with dreams for some twenty-five years. I have no formal education in psychology or any other tradition, though I am well aware of the many theories, methodologies, and perspectives that are represented in this field.
Question: Is your book What Every Dreams Means based on Scripture?
Scott: What Every Dream Means is based on Scripture. It is my belief there are many wonderful principles and truth in Scripture revealed about the topic of dreams and dream interpretation that has been glossed over or ignored by many.
This would include principles related to working with symbolism and symbolic picture language, which is what we often encounter with dreams. Most people in the Western world do not think in these terms, so Scripture is helpful in changing our perceptions by its use of idioms and various kinds of speech.
As we immerse ourselves in the prophetic and poetic language of Scripture—including parables, hyperbole, simile, and metaphors—our insights increase, and this becomes important for interpreting dreams.
Scripture helps us in other ways, such as validating that God speaks to us in our dreams. We can also expect, as prophesied, that during the end times, dreams will play a significantly more important role globally than ever before in history.
Question: How will What Every Dream Means help me to understand my dreams?
Scott: First and most importantly, it will help you to gain a relational perspective of dream interpretation rooted in an intimate relationship with the living Christ. I prayed about the title of the book and one night as I was drifting off to sleep, I received the title. As it came to me, I knew that I had to write it down before I forgot it.
I've had that experience of forgetting a dream or part of a dream by not writing it down. Those previous lessons helped me in this case with the title of the book and I wrote it immediately before going back to sleep.
In the following days, I searched everywhere and realized that the title What Every Dream Means had never been used. All of that is amazing to me, but in a way, it probably shouldn't surprise me that God knew all this in advance.
The point I want to make about the title is that it implies several things. Probably the most important thing is there is someone who does know what every dream means and it is God. Everything I do to train and help people with their dreams all comes back to this vital dependency upon God and a relational perspective.
That is contrary to the many things that other perspectives of dreams such as psychology teach. Most often what is taught is a method that does not point to a relationship with the pure source of light and understanding. There are also other ways the book will help you with your dreams.
Lastly and certainly of great importance to me is that as you read What Every Dream Means, it will help you receive freely God's presence by absorbing the anointing that is from Him and that is essential for understanding dreams. This is a key to understanding dreams that I want people to have an awareness of so that the full extent of impartation can take place in their lives.
Keep in mind Jesus was identified as “The Anointed One,” which implies a great measure of anointing from the Father and Holy Spirit to accomplish His purpose. So we too, like Jesus, in this case, need the anointing of the Spirit for our purpose with respect to interpreting dreams today.
Question: I can think of several instances in the Bible where God revealed profound truths to someone in a dream. Can you share with us a personal experience dream story, either yours or someone else, which is inspirational?
Scott: The dreams that are recorded in Scripture are very profound dreams in that many of them, though not all of them, are what I would call prophetic dreams. They revealed the future of individuals or nations.
Be that said, there are many kinds of dreams a person can experience and not all are of this magnitude. Each dream performs a particular function and has value, even though its function may not be, as in the case of the dreams in Scripture, prophetic dreams. Many of the dreams that an individual may have today are intended to help him pray specifically about topics that God is revealing to him personally.
For example, I had a dream where I saw myself kneeling in a meadow that felt like the altitude and atmosphere of the mountains in California. I was completely surrounded by trees and brush, and in a place where there were no buildings or structures. It was a remote, natural area.
In the clearing where I knelt, it was the break of day, in the early morning hours. The ground was wet with dew, just beginning or early dawn.
I looked in front of me. A man stood not too far away, maybe twenty or thirty yards, on the edge of the clearing. He said, “The wildlife here will never come near a human being.”
As I heard these words, I looked to my right and there appeared a tiny fawn frolicking very close. Profound energy and happiness exuded from the little fawn as it played in complete freedom. Amazed, I watched, and then from my right and behind me, a doe slowly walked up and rubbed its body against my right shoulder as it passed by. Strangely I felt as though the doe wanted me to pet it. The dream ended.
When I awoke I realized the dream contained a very clear message about the things that defy what “man” says. This man—his reasoning, negative words, and logic—was completely defied by what I experienced with the fawn and the doe, both of whom came near. It was a wonderful picture that has been an inspiration and resource to help me not to listen to all the negative voices that are around me.
LORILYN: Thanks, Scott, for a great interview. You can pick up a copy of his book by clicking on this link.
Friday, March 25, 2011
CREATIVE WRITING INSIGHTS: “Love Better,” by Lorilyn Roberts: Based on Ken Kuhlken’s Book “Writing and the Spirit”
Fear of being judged is a great spoiler of creativity. Unnecessary rules affect me the same way, and I run from negativity like the plague. I have learned it is better for me to be alone when I am “in the spirit” and writing; hence, my frequent trips to Starbucks.
“Perfect love casts out fear” is one of my favorite passages from the Bible. I have come to believe that those who say negative, unloving things-in reviews, in comments, or in other aspects of living-either are insecure or narcissistic. I may not know which, but I avoid those types of people like roaches. I can make my own pity party without their help. Instead, I seek out those who are full of the spirit. Most noticeably in the John 3:16 Marketing Network, we have individuals who are uplifting and caring about others.
I love the song, “We are one in the spirit, we are one in the Lord...” May we love better as we write because we write what the world needs to hear. As the song goes, “What the world needs now, is love, sweet love...”
Saturday, March 19, 2011
LORILYN INTERVIEWS SERAFIM GASCOIGNE About His New Book “Roman Carnival”
Lorilyn: Today I would like to introduce a fascinating author who writes books for young adults. Meet Serafim Gascoigne as he talks about his life and the launch of his new book, Roman Carnival.
I recently listened to an interview by you where you talked about your varied background which helps you to create memorable stories for Young Adults. Can you share some of that with us today?
Serafim: I have been a professional musician, an army medic, an intelligence analyst, teacher, and computer training consultant on three continents, and finally a pastor/priest here in the U.S.
I worked for British Intelligence in Berlin during the Cold War. This gave me exposure to the Russian language and Christians who had taken refuge in the West, but who nonetheless went through very difficult times when the Soviet army took Berlin. Their stories, in many instances miraculous, set the scene for my future writing. When Russia became open once more, I traveled to Siberia and other places in Russia.
Later, I taught in an inner-city school where seventy percent of the students were from the West Indies. I lived in Ladbroke Square, the location of Roman Carnival, a few doors away from the Home Secretary and the film star, Kenneth Moore, and John Cleese of Monty Python fame. I used to see them shopping from time to time.
Lorilyn: I am always interested in whether fiction authors write by the “seat of their pants” or if they outline and develop the plot and then write. How do you come up with your fascinating storylines?
Serafim: I develop my characters first and then find a story for them. I usually work out a draft outline which I never stick to! The stories seem to write themselves. I enjoy researching the background and looking for unusual details. Did you know that the Romans worshipped the wrong god or that Nero did not play the fiddle (or mandolin) while Rome was burning?
I found some interesting menus such as dormice dipped in honey. Lots of facts that I hope will capture the interest of young readers.
Lorilyn: Which leads to my next question: Tell us a little bit about your new novel Roman Carnival.
Serafim: The discovery of an ancient Temple of Mithras causes great excitement among the residents of Ladbroke Square, London. At the suggestion of the curator of the British Museum, the residents decide to hold a Roman Carnival, complete with fancy dress, refreshments, tours, and speeches. However, unknown to the large crowd gathered for the Carnival, there are “ravens,” Roman assassins from 65 AD.
Intent on invading 20th century London, the Romans, members of the cult of Mithras, are thwarted in their attempt by two schoolboys, Anthony Archer and Hector Carter. As the drama unfolds, Hector is mistaken for a runaway boy soldier, while Anthony is thought to be Artemius, a high-ranking member of the cult of Mithras.
Mistaken identity or not, these boys begin to play a vital role in defeating the cosmic forces that have entered their time and reality through the Temple of Mithras. A mysterious figure, the watcher Nikomedes, confirms that this is their destiny; it is part of their ancestral breath. Only Anthony and Hector are capable of sealing the conduit between past and present. How are they to do this? Nikomedes says that they will know what to do when the time comes.
Unlikely heroes in a battle with cosmic evil, the boys work as a duo, displaying common sense and courage in the face of many unexpected dangers. Their only weapons against this invasion are their simplicity, honesty, and their ancestral link to the past. Hector's good and easy-going nature, loyalty to a friend, and courage play an important role in the drama. Anthony is not particularly courageous but together with Hector, he shines as a natural leader in times of danger.
This is a fast-paced historical/fantasy, combining Cockney humor and suspense.
Lorilyn: With your background, you could write for any genera. Why did you choose to write Young Adult books?
Serafim: I enjoy reading children’s literature and simply enjoy writing for young readers. I believe that it is important to communicate Christian values through fantasy and for teens through the supernatural activity of the Holy Spirit. Roman Carnival is written for a secular audience but the underlying theme is Christian.
I am concerned that many authors of fantasy dwell on masochistic, sadistic, and psychotic role models. Roman Carnival is no moralistic tale, but a scary, fast-paced, time-shift adventure. It's not for the timid.
The underlying metaphysic is that we inherit not only the physical characteristics of our parents but a part of their spirit too. This is a surprise element in the story.
Lorilyn: Thank you, Serafim Gascoigne, for sharing with us your passion for writing for Young Adults. I can’t wait to get a copy of ROMAN CARNIVAL for my 12-year-old daughter who loves Christian fantasy.
I recently listened to an interview by you where you talked about your varied background which helps you to create memorable stories for Young Adults. Can you share some of that with us today?
Serafim: I have been a professional musician, an army medic, an intelligence analyst, teacher, and computer training consultant on three continents, and finally a pastor/priest here in the U.S.
I worked for British Intelligence in Berlin during the Cold War. This gave me exposure to the Russian language and Christians who had taken refuge in the West, but who nonetheless went through very difficult times when the Soviet army took Berlin. Their stories, in many instances miraculous, set the scene for my future writing. When Russia became open once more, I traveled to Siberia and other places in Russia.
Later, I taught in an inner-city school where seventy percent of the students were from the West Indies. I lived in Ladbroke Square, the location of Roman Carnival, a few doors away from the Home Secretary and the film star, Kenneth Moore, and John Cleese of Monty Python fame. I used to see them shopping from time to time.
Lorilyn: I am always interested in whether fiction authors write by the “seat of their pants” or if they outline and develop the plot and then write. How do you come up with your fascinating storylines?
Serafim: I develop my characters first and then find a story for them. I usually work out a draft outline which I never stick to! The stories seem to write themselves. I enjoy researching the background and looking for unusual details. Did you know that the Romans worshipped the wrong god or that Nero did not play the fiddle (or mandolin) while Rome was burning?
I found some interesting menus such as dormice dipped in honey. Lots of facts that I hope will capture the interest of young readers.
Lorilyn: Which leads to my next question: Tell us a little bit about your new novel Roman Carnival.
Serafim: The discovery of an ancient Temple of Mithras causes great excitement among the residents of Ladbroke Square, London. At the suggestion of the curator of the British Museum, the residents decide to hold a Roman Carnival, complete with fancy dress, refreshments, tours, and speeches. However, unknown to the large crowd gathered for the Carnival, there are “ravens,” Roman assassins from 65 AD.
Intent on invading 20th century London, the Romans, members of the cult of Mithras, are thwarted in their attempt by two schoolboys, Anthony Archer and Hector Carter. As the drama unfolds, Hector is mistaken for a runaway boy soldier, while Anthony is thought to be Artemius, a high-ranking member of the cult of Mithras.
Mistaken identity or not, these boys begin to play a vital role in defeating the cosmic forces that have entered their time and reality through the Temple of Mithras. A mysterious figure, the watcher Nikomedes, confirms that this is their destiny; it is part of their ancestral breath. Only Anthony and Hector are capable of sealing the conduit between past and present. How are they to do this? Nikomedes says that they will know what to do when the time comes.
Unlikely heroes in a battle with cosmic evil, the boys work as a duo, displaying common sense and courage in the face of many unexpected dangers. Their only weapons against this invasion are their simplicity, honesty, and their ancestral link to the past. Hector's good and easy-going nature, loyalty to a friend, and courage play an important role in the drama. Anthony is not particularly courageous but together with Hector, he shines as a natural leader in times of danger.
This is a fast-paced historical/fantasy, combining Cockney humor and suspense.
Lorilyn: With your background, you could write for any genera. Why did you choose to write Young Adult books?
Serafim: I enjoy reading children’s literature and simply enjoy writing for young readers. I believe that it is important to communicate Christian values through fantasy and for teens through the supernatural activity of the Holy Spirit. Roman Carnival is written for a secular audience but the underlying theme is Christian.
I am concerned that many authors of fantasy dwell on masochistic, sadistic, and psychotic role models. Roman Carnival is no moralistic tale, but a scary, fast-paced, time-shift adventure. It's not for the timid.
The underlying metaphysic is that we inherit not only the physical characteristics of our parents but a part of their spirit too. This is a surprise element in the story.
Lorilyn: Thank you, Serafim Gascoigne, for sharing with us your passion for writing for Young Adults. I can’t wait to get a copy of ROMAN CARNIVAL for my 12-year-old daughter who loves Christian fantasy.
Friday, March 11, 2011
CREATIVE WRITING INSIGHTS: “Be Perfect,” by Lorilyn Roberts: Based on Ken Kuhlken’s Book “Writing and the Spirit”
I believe some saints of the arts have come close. I think about the perfection of Handel’s Messiah and Pachelbel’s Canon. When I was in Italy I visited The Last Supper by Leonardo da Vinci. I stared at the painting for about thirty minutes all alone (a gift in itself) admiring its beauty. Even in its compromised condition, the artwork was perfect for me. The amazing masterpiece brought me into a sweet communion with God which I had not experienced for a long time.
As far as the art of writing, we have the greatest story ever told in the Bible. While there may be copying mistakes, do we really see them? I get so “in the spirit” with the beauty that comes close to perfection that I forget it was written by imperfect human beings.
Why would God not continue to dole out creativity like that today? I believe He does. We don’t strive, but we do give God our all, knowing that when we create, we become most like Him, the Creator. As a child of God, we know He seeks to give us more than we could ever ask. When we think of art and developing the talents He’s given us, we can come close to perfection.
Otherwise, why would demons waste so much time destroying creative minds? Look around and see the beauty; it is all around us—in nature, in museums, in music, and in books. God’s creative spirit indwells and woos us to believe in miracles, redemption, love, and hope in art. The world needs us and God blesses us with our creativity for His good pleasure.
Monday, March 7, 2011
JOHN 3:16 MARKETING NETWORK GUEST POST: Lorilyn Roberts Interviews Elaine Cooper About Her New Book “The Road to Dear Run”
I want to introduce a delightful author whom I met on Facebook, Elaine Cooper. She came to my aid when someone stole my identity on the social networking site before she even knew me. She later joined the John 3:16 Marketing Network and has been a tremendous encourager to me as well as many others. She has a servant's heart in so many ways and a beautiful style of writing.
With great joy, I share this short interview with Elaine Cooper in anticipation of the launch of her new book, The Road to Deer Run, on Tuesday at Amazon.
Lorilyn: When did you develop your love of writing?
Elaine: I have loved writing since I was very young. My father encouraged me to write a story about my lost hamster when I was 11 and I have been hooked on creating stories ever since. My skills were honed in the 1980s when I did freelancing for two local newspapers. Talk about fast deadlines! But I loved writing at home so I could be there for my children.
I took a hiatus from the keyboard when I felt led to go to nursing school and become a Registered Nurse. This was definitely a God-inspired decision as several years after I graduated, my own daughter was diagnosed with a terminal brain tumor. At that time, I took a leave from my nursing job because Bethany needed care 24 hours a day. I resumed freelance writing, but this time for a magazine writing health-related topics. I occasionally toyed with the idea of writing a book.
Lorilyn: Tell us about your new book The Road to Deer Run; what it’s about and how you came to write it.
Elaine: It was the fourth anniversary of Bethany passing away when the idea for The Road to Deer Run was birthed. It was such a strong sense of knowing in my heart that this was what I was going to write but it’s difficult to describe. I just knew.
The Road to Deer Run is set in 1777 in the midst of the American Revolution. The story does not take place on the battlefield but rather in a small village in western Massachusetts where the residents are deeply affected by the war. The plot involves the discovery of a wounded British soldier by a young American farmwoman. He is dying and she is terrified. How will she handle the situation when her heart hates the Redcoats, while at the same time is filled with compassion for a dying soldier?
The ensuing days and weeks challenge everyone’s faith and fortitude, as well as their ability to forgive. Slowly, hearts and souls begin to heal. And in the midst of the hatred and discord, seeds of love take root among the weeds of bitterness. The Road to Deer Run is inspired by my own ancestors from the era of the American Revolution
Lorilyn: If you wanted to share one thing with the world that speaks to your passion, what would you say?
Elaine: My passion is to help others who are truly in need. My favorite Bible verse is Proverbs 31:8-9 “Speak up for those who cannot speak for themselves, for the rights of all who are destitute. Speak up and judge fairly; defend the rights of the poor and needy.”
When you look at the world in need, it can be overwhelming. But I truly believe that, while no one person can meet everyone’s needs, God places opportunities in our path where we can make a difference in some way to help others. It may be as small as buying a meal for someone or it may be a much larger mission. But whatever that mission is, God will reveal it to us so that we will be useful vessels to come to the aid and defense of the poor and needy. We just need to be willing conduits of His love.
To read more about The Road to Deer Run, visit http://amzn.to/gnPwoF
Tuesday, March 1, 2011
JOHN 3:16 MARKETING NETWORK GUEST POST: Lorilyn Interviews Stacy Padula About Her New Book “When Darkness Tries to Hide”
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Lorilyn: How did you become interested in writing?
Stacy: I wrote my first book when I was in Kindergarten; it was a short story about a puppy. Then my writing just continued…I wrote books all through elementary school and continued beyond. I finished my first draft of When Darkness Tries to Hide when I was 15 years old. I had read a lot of different books while growing up that had been about high school. When I entered high school I was completely shocked by what was going on around me! It was nothing like Sweet Valley High or the Babysitters Club.
There was an abundance of backbiting, backstabbing, substance abuse, and kids just being mean to each other. I felt that there needed to be a realistic book series out there for kids to read so that they could be prepared for the social battles of high school. So, I wrote The Right Person, which is the first book in the Montgomery Lake High series. I fell in love with my characters, and the subject matter, so I decided to write a sequel (which is now When Darkness Tries to Hide). I have recently finished the 5th book in the series, and I plan to keep writing as long as I am able to!
Lorilyn: What should people know about When Darkness Tries to Hide?
Stacy: The book picks up two months after where The Right Person left off. There is a terrible storm that brings destruction to the town and into the lives of some of the characters. One of the characters, Andy, gets injured and another character, Jason, feels responsible. (Although no one knows at first exactly why Jason feels that way).
Lorilyn: What should people know about When Darkness Tries to Hide?
Stacy: The book picks up two months after where The Right Person left off. There is a terrible storm that brings destruction to the town and into the lives of some of the characters. One of the characters, Andy, gets injured and another character, Jason, feels responsible. (Although no one knows at first exactly why Jason feels that way).
The story follows many characters' reactions to the accident, and how everyone comes together to help Andy. Jason is the central focus of the story, and the transformation he goes through as a result of feeling responsible for what happened to Andy. The main point of the story is the battle between light and darkness, and how people often do not realize they are living a dark life because everyone around them is living the same way until a ray of light shines in and breaks through the darkness.
Lorilyn: Have any experiences from your own life affected the storyline of the book?
Stacy: I have not written about anything that has happened to me exactly, but everything in the books is based on things I have witnessed teenagers go through, or emotional/social/physical/spiritual battles that I have fought in my life. The books are filled with lessons I have learned from my own experiences, but I have woven those lessons into the completely fictitious world of Montgomery Lake High. It is my hope that teens and pre-teens can learn from these lessons and not go through as much pain as I had to in order to learn them!
Lorilyn: What is it like waiting for each book to be published?
Stacy: It is exciting! My next book, which will be published apart from the series as a novel, is Montgomery's Masquerade: The Battle for Innocence. It is a prequel to the series that takes place when the main characters were in 7th grade.
Lorilyn: Have any experiences from your own life affected the storyline of the book?
Stacy: I have not written about anything that has happened to me exactly, but everything in the books is based on things I have witnessed teenagers go through, or emotional/social/physical/spiritual battles that I have fought in my life. The books are filled with lessons I have learned from my own experiences, but I have woven those lessons into the completely fictitious world of Montgomery Lake High. It is my hope that teens and pre-teens can learn from these lessons and not go through as much pain as I had to in order to learn them!
Lorilyn: What is it like waiting for each book to be published?
Stacy: It is exciting! My next book, which will be published apart from the series as a novel, is Montgomery's Masquerade: The Battle for Innocence. It is a prequel to the series that takes place when the main characters were in 7th grade.
I just got it back from my editor, who is actually from Pearson Publishing, and I am excited to review her edits and send it along to my publisher, Strategic Book Group. They had read the rough copy earlier this month and accepted it. The whole process has many steps and a lot of approvals that need to be signed off on. I am excited to see the internal layout of the book. I work with my publisher's book designers to bring the book up to the vision that I have for it. This, along with approving the front and back cover designs, is a very exciting part of the process.
I always get butterflies in my stomach when I open up the first printed copy of each book. The process can take anywhere from six months to a year, depending on many different circumstances. I enjoy being a part of the process. It is always a learning experience, and I find that very rewarding!
Lorilyn: Do you have a "life verse" that you have claimed? If so what is it and why is that verse so meaningful to you?
Stacy: Psalm 84:11 has significant meaning to me. It states that God withholds no good thing from those who walk uprightly. This verse is a reminder to me that anything that I pray for and do not receive is not good for me, and that I only desire it because I have a limited understanding of what is best for me. God knows what is best, and as long as I am walking with Him, He will not withhold anything good from me. So whenever God closes a door in my life, I recall Psalm 84:11 and find great comfort and peace within its promise.
Lorilyn: Who (or what) is your greatest encourager when you write and why?
Stacy: I have a wonderful support system of family and friends who encourage me in my writing. What encourages me the most, though, is the world of Montgomery Lake High that exists within my mind. It is like God has put this world in my head, and these characters are so real to me, and I write to express what is within me: a message of faith to reach out to the youth.
Lorilyn: Is there anything else that you would like your readers to know about you that would give us even more of a glimpse into your personality and passions?
Stacy: “Passionate” would be the best word to describe me. When I'm into something, I'm into it with my whole heart. I love my life and think God has blessed me with the best friends, best dog, best job, and the best mother in the entire world. Writing is my favorite pastime. I have learned a lot about conquering fear this past year. The ocean moves me.
Lorilyn: Do you have a "life verse" that you have claimed? If so what is it and why is that verse so meaningful to you?
Stacy: Psalm 84:11 has significant meaning to me. It states that God withholds no good thing from those who walk uprightly. This verse is a reminder to me that anything that I pray for and do not receive is not good for me, and that I only desire it because I have a limited understanding of what is best for me. God knows what is best, and as long as I am walking with Him, He will not withhold anything good from me. So whenever God closes a door in my life, I recall Psalm 84:11 and find great comfort and peace within its promise.
Lorilyn: Who (or what) is your greatest encourager when you write and why?
Stacy: I have a wonderful support system of family and friends who encourage me in my writing. What encourages me the most, though, is the world of Montgomery Lake High that exists within my mind. It is like God has put this world in my head, and these characters are so real to me, and I write to express what is within me: a message of faith to reach out to the youth.
Lorilyn: Is there anything else that you would like your readers to know about you that would give us even more of a glimpse into your personality and passions?
Stacy: “Passionate” would be the best word to describe me. When I'm into something, I'm into it with my whole heart. I love my life and think God has blessed me with the best friends, best dog, best job, and the best mother in the entire world. Writing is my favorite pastime. I have learned a lot about conquering fear this past year. The ocean moves me.
I love North Carolina and feel like a part of my heart is there. I love to learn and figure out how things are connected. I see deeper meaning in everything. I believe love is the answer to life's toughest questions. I have "songs" with the majority of my friends and hope the lyrics always mean something to me. My faith is in Jesus Christ, and I'm in love with Him. I have a strange fetish for football movies. I am an avid skier. I have a lot of hope and believe nothing is impossible with God.
You can find Stacy's latest book When Darkness Tries to Hide on Amazon by clicking here
You can find Stacy's latest book When Darkness Tries to Hide on Amazon by clicking here
Monday, February 28, 2011
LORILYN INTERVIEWS Shellie Neumeier About Her New Book “Driven”
I met Shellie Neumeier through the John 3:16 Marketing Network and am excited to introduce her here. She is coming out with a new YA Novel, Driven.
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Lorilyn: Tell us about your latest book Driven. Do you have a favorite passage you'd like to share?
I can share the back cover blurb: “Robyn can’t help but notice the handsome new guy at her school. She ignores, however, the arrival of another being at Brookfield Central High School—a demon assigned to destroy her…
Robyn loves her friends, enjoys her youth group, and looks forward to meeting cute Caleb Montague. But when a caustic news reporter challenges her school’s prayer team, Robyn must choose: defend their right to meet on campus and pray for whomever they wish or back down at the principal’s request.
Now she must learn what God wants her to do. And she had better learn fast because there’s a supernatural enemy in town whose sole mission is to stop her—no matter the cost.”
Lorilyn: And how about the first couple paragraphs…
Shellie: “From a comfortable height above the trees, Sebastian circled the abandoned paper mill, drinking in the atmosphere of dereliction and decay surrounding the property. This place has more character than most of the humans I know. Half broken windows winked like the evil eyes of wayward souls, while snow drifts gathered in the corners. The wind toyed with the snow, whipping trails that could chill his feet and ankles. If he had feet and ankles, that is.
“Slipping through a second-story window, Sebastian watched a rat scurry across the dusty floor in a dash for the shadows. Like an angry cloud—black as asphalt, thick as cigar smoke—Sebastian floated after the rodent, watching with mild interest as it raced for another shadow and nearly collided with an old tom cat whose eyes glowed brightly with hunger. The tom sprang, but
“Sebastian turned away. He didn’t have time for these cat and mouse games today, no matter how much he enjoyed them. He had a bigger game to consider, and as he moved over the room, he thought about the girl he’d come to destroy.”
Lorilyn: Also, please share some of your writing goals. What's next for you?
Shellie: I’m thrilled to say I’m under contract with my mid-grade chapter book to be released in 2/2012 (MuseItYoung Publishing) entitled The Wishing Ring. My twelve and nine-year-old helped develop the plot, which makes the story one wild and imaginative ride.
I’ve also teamed up with Lisa Lickel in writing a romance novel. I enjoyed writing the young adult sections. But my favorite project is another YA novel written about a young boy with special needs. After a fit of rage, he finds himself struggling to survive life in a treatment center. It’s been eye-opening writing that piece.
Lorilyn: What do you hope readers will get from reading your book?
Shellie: Hopefully, my readers will come away with a renewed sense of power. A sense of I-can-do-that, whatever “that” may be in their lives. And of course, I hope they come away having enjoyed a great ride from the story.
Lorilyn: On a random note, if you were an animal, which one would you be, and why?
Shellie: Hmm. I’d love to be a Jaguar, filled with grace and speed; or a she-lion, fierce in her cub's protection; but my husband likens me to that dog on UP (the one that says “squirrel” with energized distraction).
Lorilyn: What do you hope readers will get from reading your book?
Shellie: Hopefully, my readers will come away with a renewed sense of power. A sense of I-can-do-that, whatever “that” may be in their lives. And of course, I hope they come away having enjoyed a great ride from the story.
Lorilyn: On a random note, if you were an animal, which one would you be, and why?
Shellie: Hmm. I’d love to be a Jaguar, filled with grace and speed; or a she-lion, fierce in her cub's protection; but my husband likens me to that dog on UP (the one that says “squirrel” with energized distraction).
What Others Are Saying About Driven
Driven is a new take on the age-old battle of good versus evil. Gripping from the first page, this is one book you won't want to put down. ~Leanna Kay, co-creator of www.samiesisters.com - a place for Christian girls to grow in faith.
Driven is a breathtaking book of tension, intrigue, and heartwarming emotion. From the moment I began to read until the very last word, I couldn't put it aside. It held me enthralled! ~Lindsay Below, Head Over Hand-Bought Heels
In the tradition of This Present Darkness and The Screwtape Letters, Driven pulls back the veil between worlds and reminds us that our struggle is not against flesh and blood but against Satan and his minions. But the journey of Robyn and her friends against both physical and spiritual enemies also illustrates the more exciting truth: that ultimate victory rests with our God. ~Anne Mateer, Wings of Dream, September 2011.
Tuesday, February 22, 2011
LORILYN INTERVIEWS Tracy Krauss about her book ”My Mother the Man Eater”
Tracy: Although I have always loved the creative process and have been a “storyteller” for my entire life, I started writing about 25 years ago. Of course, in those days it was a compulsion I found time for during my children’s naps. I hammered out reams of paper on my mother’s old typewriter, or filled notebooks with my scrawl.
When the home computer age came to be, it revolutionized my writing, but I spent many tedious hours retyping what I had previously written and discovered most of it wasn’t really worth the paper it was written on! I finally started looking more seriously into publishing about eight years ago.
Lorilyn: How do you write? By the “seat of your pants” or outlining?
Tracy: A little of both. Once I get the inspiration for a novel, I like to create very elaborate background stories for each character. I like to know my people inside and out and understand what makes them tick. Then I do a rough outline, eventually expanding into plotting each Chapter or scene. Invariably, though, when I start the actually writing process, lots of things change and I go with that. The characters seem to take on a life of their own and often surprise me with what they say and do.
Lorilyn: Tell us about your new book, where the idea came from, how long it took you, what inspired you, and how people can get a copy.
Tracy: My Mother the Man-Eater was originally inspired when I was playing the Sims. The characters and interaction mushroomed into the idea for this book – a forty-something cougar on the quest for fulfillment.
Lorilyn: How do you write? By the “seat of your pants” or outlining?
Tracy: A little of both. Once I get the inspiration for a novel, I like to create very elaborate background stories for each character. I like to know my people inside and out and understand what makes them tick. Then I do a rough outline, eventually expanding into plotting each Chapter or scene. Invariably, though, when I start the actually writing process, lots of things change and I go with that. The characters seem to take on a life of their own and often surprise me with what they say and do.
Lorilyn: Tell us about your new book, where the idea came from, how long it took you, what inspired you, and how people can get a copy.
Tracy: My Mother the Man-Eater was originally inspired when I was playing the Sims. The characters and interaction mushroomed into the idea for this book – a forty-something cougar on the quest for fulfillment.
From the time I actually sat down and began crafting the idea into a book until it was finished was about four years. I tend to work on several projects at once, so this was while working on three other novels and about six plays (not to mention working). I
t is available at the usual online stores - Amazon, B & N, Chapters/Indigo (in Canada), Blessings Christian marketplace, and others. It is also for sale in several local brick and mortar stores in my area, Chapters/Indigo Stores, or directly from the publisher.
Lorilyn: What would you say to a writer who aspires to write fiction? Any good tips?
Tracy: Never stop learning. The moment you think you know it all is the moment you become stagnant. This means writing, writing, writing, and sharing your work with a critique group or other trusted friends. (Start with people who won’t be too hard on you.)
Lorilyn: What would you say to a writer who aspires to write fiction? Any good tips?
Tracy: Never stop learning. The moment you think you know it all is the moment you become stagnant. This means writing, writing, writing, and sharing your work with a critique group or other trusted friends. (Start with people who won’t be too hard on you.)
After that, seek critique from unbiased and professional people. These commentaries often hurt, so get used to it and get tough. It makes you stronger and makes you a better writer.
Taking courses and workshops is probably also a good idea as is reading lots of books in various styles and genres. Finally, examine your reasons for writing. If it is to get rich and become the next NY best-seller, then maybe you should quit and do something else.
If it is your passion, however, you really don’t need me telling you what to do. You already know: WRITE.
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Tracy Krauss is an author, artist, playwright, director, worship leader, and teacher. Originally from a small prairie town, she received her Bachelor’s Degree at the University of Saskatchewan . She has lived in many places in northern Canada with her husband, a pastor, and their children. They currently live in Tumbler Ridge , BC .
My Mother the Man-Eater is Tracy ’s second published novel. A third novel Play it Again is currently in the production phase and is the sequel to her debut novel And The Beat Goes On, an archeological suspense. Other published works include a play called ‘Ebenezer’s Christmas Carol’ available through Pioneer Drama Services.
Thursday, February 17, 2011
CREATIVE WRITING INSIGHTS: “Get Real,” by Lorilyn Roberts: Based on Ken Kuhlken’s Book “Writing and the Spirit”
Becoming the person God created me to be has been fraught with unbelievable obstacles. I don’t know whether it is so with others, but from the time I was a child, I have struggled with being “me.”
A broken home at an early age, unrealistic expectations, lack of spiritual truth, insecurity, and a failure to recognize me as “created in God’s image” kept me on dead-end roads for years.
The gumption never to give up in search of truth was God’s gift. His unconditional love has enabled me to overcome the demons from the past, the lies I believed, and the grace to let go of the hurt. Redemption is the reward in this world for a life well-finished in spite of perilous beginnings. And for that I am thankful.
The gumption never to give up in search of truth was God’s gift. His unconditional love has enabled me to overcome the demons from the past, the lies I believed, and the grace to let go of the hurt. Redemption is the reward in this world for a life well-finished in spite of perilous beginnings. And for that I am thankful.
CREATIVE WRITING INSIGHTS: “Creative Writing Killers,” by Lorilyn Roberts: Based on Ken Kuhlken’s Book “Writing and the Spirit”
I have discovered the greatest killer of creative writing is lack of sleep. The second greatest obstacle is worry—about the future, my family, my career, or not being in control.
In recent years, I have made sleep a priority, but I haven’t conquered this dragon. On some days he roars out and I’m beat completely. I tell myself, this, too, shall pass. Tonight I will get a good night’s rest and tomorrow I will begin again. The first step, though, is recognizing the need and then pursuing the need with commitment. I have found that commitment is attainable, though not without sacrifice. Sometimes other things don’t get done. But to be creative, I must get sufficient sleep; no ifs, ands, or buts.
The second obstacle presents a more slippery slope. I call this the battle of emotions. My human nature is to worry; my spiritual nature is to trust God. As pointed out in the chapter, I must begin with the “spirit” to even have a chance of winning this battle. Without God, I can’t do anything. My writing is stale and I don’t even have a desire to write. All my energy is consumed with whatever I am besieged with, and the result is depression.
I have come to realize there is something circuitous about this; I write not to become depressed, but I can’t write if I am depressed. So it begins with the Bible, focusing on God, and prayer. These tenets of the faith help me to be in the right mindset to overcome evil, and I believe it is evil that prevents me from writing. It is a battle of the mind for control—worry versus trust, belief versus unbelief. These battles, though, can be woven into wonderful stories with redemption. That is why I write.
Friday, February 4, 2011
CREATIVE WRITING INSIGHTS: “The Gumption Factor In Writing And Getting Published,” by Lorilyn Roberts
In my advanced writing class at Perelandra College, Professor Ken Kuhlken wrote, “When we have preconceptions, we need to let go of them if we hope to find new answers.”
A couple of years ago, I wrote my memoir about the adoption of my two daughters as creative nonfiction. I meticulously researched facts and details I had forgotten. I scoured the Internet to verify locations, names, dates, and chronological order of events. I pulled out every document I had saved from both adoptions and poured my heart and soul into my writing.
I asked many friends, professional acquaintances, and editor-journalism-communication types to read Children of Dreams and offer suggestions on how I could make it better. I listened and made revisions that created an almost unbelievable story.
Two weeks before the Florida Christian Writer’s Conference in 2009, I sent off my completed manuscript to be reviewed by an editor attending the conference. I spent $50 and downloaded a file to prepare myself for the right attitude while at the conference. I had attended this conference twice before and came away both times disillusioned. This time I was determined not to let that happened.
I couldn’t think of anything that an editor could say to me for which I would not have an answer. I launched my website before the conference and signed up for the marketing class with Randy Ingermanson. I was ready to dive in and market my book if an editor or agent offered me a contract on Children of Dreams. I did not feel like I was setting myself up for failure. I always set lofty goals and then leave the outcome in God’s hands.
The conference arrived and I was excited to be there. I couldn’t wait to share the joy of my book with others. But when I showed my manuscript around, I was surprised by the comments.
“No one is publishing memoirs right now,” one person said. “Oh, a memoir,” another stated. People stepped back from me like I had bad breath. Nobody would read one line and acted like I had written something C-rated at best. But I remained positive. I was certain when I received my manuscript back from the reviewing editor the next day, he would be interested.
The moment arrived when all the reviews were handed out to the attendees. When mine wasn’t, I went up and inquired. Despite the volunteers looking everywhere, they didn’t have mine. While my book was “lost,” all the remaining slots to meet with other editors filled up. Nobody knew where my book was. If the editor who had received my manuscript didn’t like it, I would have no opportunity to present my book to someone else.
To say I was disillusioned is an understatement, but it didn’t come close to what I felt when my manuscript was found. I read the note the editor wrote. “You might consider submitting this to a magazine.”
If the editor had read one paragraph of that 235-page manuscript, he would have known the story couldn’t be condensed into an article. I had presented part of it to a “Focus on the Family” editor a year earlier, and her comment was, “It’s too long. If you can shorten it, we would love to take another look.” I was unwilling to cut it down more, and it was that comment that made me realize I needed to write the whole story. It took 235 pages to do the story justice.
I did meet later with a couple of editors at the conference and was told by them—as well as an agent, “When you have one thousand people on an opt-in list, come back and talk to us.” While I was nice to them, I thought to myself, if I had one thousand people on an opt-in list, why would I need you?
As a result of that experience, my “gumption” kicked in. I reassessed what I really wanted. What was important to me? Sometimes “no’s” become wonderful opportunities to think “outside the box.” We are free to pursue goals we never would have considered if we had been given what our preconceived ideas told us we wanted.
The key is to be open to change, to give up something to receive something better. Since God controls the outcome, we should focus on the process and what we can do to enhance our chance to achieve our goal.
I have never met an author who didn’t have a lot of gumption to become published. Good writing and successful marketing are key, and money helps the process to go faster as far as exposure, but without the seed within us never to give up, the chances are we won’t go anywhere with our writing.
Today I have forty-three reviews with five stars on Amazon. I thank all my friends and professional contacts every time a new five-star review goes up, knowing without their honest input—and yes, some of it hurt—Children of Dreams wouldn’t have all those wonderful reviews.
My gumption not to give up is still intact, and I am more determined than ever to share my writing with others. Preconceived ideas have long gone out the window. I am setting a new path into the unknown with the John 3:16 Marketing Network, writing a new young adult fantasy novel, obtaining my Master’s in Creative Writing, and hopefully someday will teach at the university level in China when I finish my education.
God gives us a cup overflowing with opportunity when we commit our way to Him. Gumption is the human quality He endears us with to get us started. If God is for us, who can be against us?
You can read more about Lorilyn on her website at LorilynRoberts.com
Tuesday, January 18, 2011
CREATIVE WRITING INSIGHTS: “The Fictional Dream,” by Lorilyn Roberts
I am thankful the writing of the fictional dream has no rules. This allows our fictional dream to explore “where no man [or woman] has gone before.” Jon Gardner admonishes in The Art of Fiction: Notes on Craft for Young Writers, don’t write what you know; write what you don’t know. Is there enough creative artistry within me to pour out my soul—and write my fictional dream? I cherish the freedom to risk. As someone who becomes bored easily, I cannot write only what I know.
As I think about Gardner’s words and the fictional dream, I have come to realize seeking a Masters in Creative Writing can be risky for an artist. The creative process can be killed as one takes captive every tidbit of advice. With the earnestness of a perfectionist, zealous corrections may creep in which destroy the fictional dream. The broken threads threaten to braid themselves into a twisted nightmare which may be technically sound but artistically wanting.
But there must be limitations unless we are God. When I wrote my memoir Children of Dreams, I sat down at my computer on a Sunday morning and started writing. I didn’t study any “how-to” books or even question if I knew what I was doing. I just started writing. The more I wrote, the easier the task seemed. But this “fictional” dream was rooted in reality. Once I had tasted the sweet victory of finishing a book, I wanted to write another one. I also realized at that point I had attained the highest level of writing I could achieve. Raw, God-given talent can take you only so far.
What happens when you want to go to the next level? The reality of ignorance raises its head. Like when you study the Bible for the first time seriously, you soon realize how little you know.
A writer is much like an artist. I studied creative writing and books by Jon Gardner, Linda Seger, James Scott Bell, Charles Dickens, Linda Pastan, Edward Hirsch, Carolyn Wheat, William Zinsser, Jon Franklin, Mark Jarman, Jack Bickham, Graham Greene, Michael Tierno, Robert McKee, and Ken Kuhlken. My mind became overwhelmed with rules of do’s and don’ts, plot and structure, complication and denouement, point of view, scene, style, arc, and creating believable characters.
On the marketing side, voluminous sites on the Internet promise shortcuts to success. One even claimed, “Pay me X dollars and write a book in a weekend!” Would I even want to read my own book written in a weekend?
But anything worth achieving has no shortcuts. Gardner points out you must learn the rudiments or you will never become a Master. I felt my fictional dream floating away from me. Derisive voices shouted at me convincing me I couldn’t write anything anybody would want to read. My fictional dream became filled with demons disguising themselves as truth. “You can’t do this. You are no good.”
Pain and doubt plagued me, “Am I going forward or backward?” I questioned. I slammed the book down and screamed back, “Shut up!” But as one continues on this journey into the unknown of the fictional dream, slowly, but painfully, mastery sets in. We come to the realization, “I can do this, and now I can do it better.”
If we are human, we will never quit dreaming. Our job as writers is to take that dream and put it on paper. Fiction gives us the freedom to state it more real and dreamlike if we use the tools in the right way. We can escape into another world that we create through the use of verisimilitude. Verisimilitude allows us to tell our story in a convincing way through the proper use of voice and devices. We must persuade the reader that what we are telling is true. Details should paint a setting that’s real. Characters need to be lifelike. Problems must appear unsolvable, and the protagonist must beat overwhelming odds. We may move the reader to tears of hilarity, to disgust or anger. But we must move him emotionally.
On the marketing side, voluminous sites on the Internet promise shortcuts to success. One even claimed, “Pay me X dollars and write a book in a weekend!” Would I even want to read my own book written in a weekend?
But anything worth achieving has no shortcuts. Gardner points out you must learn the rudiments or you will never become a Master. I felt my fictional dream floating away from me. Derisive voices shouted at me convincing me I couldn’t write anything anybody would want to read. My fictional dream became filled with demons disguising themselves as truth. “You can’t do this. You are no good.”
Pain and doubt plagued me, “Am I going forward or backward?” I questioned. I slammed the book down and screamed back, “Shut up!” But as one continues on this journey into the unknown of the fictional dream, slowly, but painfully, mastery sets in. We come to the realization, “I can do this, and now I can do it better.”
If we are human, we will never quit dreaming. Our job as writers is to take that dream and put it on paper. Fiction gives us the freedom to state it more real and dreamlike if we use the tools in the right way. We can escape into another world that we create through the use of verisimilitude. Verisimilitude allows us to tell our story in a convincing way through the proper use of voice and devices. We must persuade the reader that what we are telling is true. Details should paint a setting that’s real. Characters need to be lifelike. Problems must appear unsolvable, and the protagonist must beat overwhelming odds. We may move the reader to tears of hilarity, to disgust or anger. But we must move him emotionally.
Otherwise, he will stop reading and say, “This is not believable. I am bored,” and put the book on the shelf. Not only have we failed to achieve success with the fictional dream, but we have also lost an opportunity to change a life (and will probably lose the reader for future books).
My most recent example of a fictional dream that failed is The Shack. The beginning of the book was surreal. I had to put it down. I was terrified that one of my daughters would be kidnapped and murdered. I still have a hard time looking at ladybugs the same way, deliberately not counting the number of spots on them. The detail in the writing drew me into the fictional dream and I was terrified.
I eventually picked the book back up and started reading again. I was too hooked to not finish it. But then something happened. I read the scene where the Trinity was split into three life-like people. The God part of the Trinity was called “Papa.” Immediately the fictional dream was no longer real. While the writing was creative and the rudiments were in place for a great story, the fictional dream in this case interfered too much with what I know as truth. I couldn’t turn off my unbelief. The fictional dream deviated too far from my core values, much as Tevye in Fiddler on the Roof could not bless his daughter marrying a non-Jew. His acceptance of her marriage would have broken him. I put The Shack down in disappointment several months ago. I retrieved it from my bookshelf as I thought about the fictional dream and attempted to read it once again. But I couldn’t.
From The Shack experience, I believe Gardner left out one important point about the fictional dream: If the core beliefs of a person are too violated, the fictional dream cannot become real. The fictional dream has limits of believability that for me, at least, can’t contradict the Bible. But recognizing the limits of the fictional dream shouldn’t dissuade us from pursuing it. In the process, we will elevate our writing to a higher level than we would have achieved otherwise.
I see the Bible as the greatest story ever told, and the proof-texts in the New Testament are well documented in the Old Testament. It was the proof-texts that validated the Old Testament that convinced me that the New Testament was true. Jesus was born into the world to save mankind from his sins. As I think about that, I am struck with the importance of building the proof-texts into the story We must authenticate every detail, provide a colorful history, present the vividness of our world in 3-D, create characters that are striking, and a story that the reader will care enough about to forego going to the bathroom until he can no longer bear the pain. The fictional dream becomes his world now, leaving him in suspense. He worries about the characters as if they were his friends, his family, or himself.
As another example, the fictional dream should be like our dreaminess when we sleep—where we absorb everything into it like a vacuum. The thunderstorm outside the bedroom window becomes part of the reality of our dream. The characters who pop into our dream out of nowhere are people we know in that other world. Some of those people are found in the real world. Some aren’t, just like in the fictional dream. In the dream state, I have places I have visited time and again, places that do not exist in reality. I have friends, jobs, and crazy things I do that seem perfectly normal in that other place. I recently woke up one morning and wondered who that man was I married during the night. Our dreams take us to places we have never been consciously, but unconsciously, have touched us in ways we may not be aware of. We work out our fears, our hopes, our drudgeries, our unsolvable issues, and wonder the next morning, “Why did I dream that?”
The fictional dream may reveal the answers to some of these perplexing questions. Are not most of our stories borne out of the frailness of our human nature, our fall from grace, our sinful condition, and our hope for resolution? Like stardust from a star, even a child knows fear, worry, pain, sadness, and death, and the fictional dream can promise insightful answers. We write as a lover woos his mistress, convincing the reader to discard his logical thinking and embrace our creativity. We ask him to risk embarking on this fabulous journey that has become our fictional dream. Can we offer hope of escape from reality, even redemption? The choice is ours. If I was possessed, I could present a terrifying world of despair and hopelessness.
My most recent example of a fictional dream that failed is The Shack. The beginning of the book was surreal. I had to put it down. I was terrified that one of my daughters would be kidnapped and murdered. I still have a hard time looking at ladybugs the same way, deliberately not counting the number of spots on them. The detail in the writing drew me into the fictional dream and I was terrified.
I eventually picked the book back up and started reading again. I was too hooked to not finish it. But then something happened. I read the scene where the Trinity was split into three life-like people. The God part of the Trinity was called “Papa.” Immediately the fictional dream was no longer real. While the writing was creative and the rudiments were in place for a great story, the fictional dream in this case interfered too much with what I know as truth. I couldn’t turn off my unbelief. The fictional dream deviated too far from my core values, much as Tevye in Fiddler on the Roof could not bless his daughter marrying a non-Jew. His acceptance of her marriage would have broken him. I put The Shack down in disappointment several months ago. I retrieved it from my bookshelf as I thought about the fictional dream and attempted to read it once again. But I couldn’t.
From The Shack experience, I believe Gardner left out one important point about the fictional dream: If the core beliefs of a person are too violated, the fictional dream cannot become real. The fictional dream has limits of believability that for me, at least, can’t contradict the Bible. But recognizing the limits of the fictional dream shouldn’t dissuade us from pursuing it. In the process, we will elevate our writing to a higher level than we would have achieved otherwise.
I see the Bible as the greatest story ever told, and the proof-texts in the New Testament are well documented in the Old Testament. It was the proof-texts that validated the Old Testament that convinced me that the New Testament was true. Jesus was born into the world to save mankind from his sins. As I think about that, I am struck with the importance of building the proof-texts into the story We must authenticate every detail, provide a colorful history, present the vividness of our world in 3-D, create characters that are striking, and a story that the reader will care enough about to forego going to the bathroom until he can no longer bear the pain. The fictional dream becomes his world now, leaving him in suspense. He worries about the characters as if they were his friends, his family, or himself.
As another example, the fictional dream should be like our dreaminess when we sleep—where we absorb everything into it like a vacuum. The thunderstorm outside the bedroom window becomes part of the reality of our dream. The characters who pop into our dream out of nowhere are people we know in that other world. Some of those people are found in the real world. Some aren’t, just like in the fictional dream. In the dream state, I have places I have visited time and again, places that do not exist in reality. I have friends, jobs, and crazy things I do that seem perfectly normal in that other place. I recently woke up one morning and wondered who that man was I married during the night. Our dreams take us to places we have never been consciously, but unconsciously, have touched us in ways we may not be aware of. We work out our fears, our hopes, our drudgeries, our unsolvable issues, and wonder the next morning, “Why did I dream that?”
The fictional dream may reveal the answers to some of these perplexing questions. Are not most of our stories borne out of the frailness of our human nature, our fall from grace, our sinful condition, and our hope for resolution? Like stardust from a star, even a child knows fear, worry, pain, sadness, and death, and the fictional dream can promise insightful answers. We write as a lover woos his mistress, convincing the reader to discard his logical thinking and embrace our creativity. We ask him to risk embarking on this fabulous journey that has become our fictional dream. Can we offer hope of escape from reality, even redemption? The choice is ours. If I was possessed, I could present a terrifying world of despair and hopelessness.
As Gardner points out, however, be careful. The written word can’t be erased easily from a sensate individual’s memory. Our words will live on in books long past our existence on this rock suspended in space. We possess the power of demigods from hell or messengers from God. How we touch the lives of those around us, even many years into the future, for good or evil, comes from deep within us.
Let us not disappoint. May we give the reader the roller coaster ride of a lifetime, with all the thrills he hoped for; and then surprise him with more. Let’s not waste the opportunity or gift of writing God has shared with us. As an author hoping to emulate the Greatest, let us begin our journey with one word, and then another, and then another, as an artist draws on a canvas until the fictional dream becomes a masterpiece. And hopefully, the reader will say, “That was good. I wish I had more to read,” close the book and relive the fictional dream.
Let us not disappoint. May we give the reader the roller coaster ride of a lifetime, with all the thrills he hoped for; and then surprise him with more. Let’s not waste the opportunity or gift of writing God has shared with us. As an author hoping to emulate the Greatest, let us begin our journey with one word, and then another, and then another, as an artist draws on a canvas until the fictional dream becomes a masterpiece. And hopefully, the reader will say, “That was good. I wish I had more to read,” close the book and relive the fictional dream.
Sunday, January 2, 2011
CLOSED CAPTIONING: “Cat Captions for Television:” Video by Broadcast Captioner Lorilyn Roberts
Captions play an important role in the lives of many. They are vital for disseminating information related to news, weather, sports, entertainment, and national security. Captions enable hearing-challenged individuals to live a healthy lifestyle.
Please enjoy my newest (and greatest) video on Youtube to promote quality captions on television:
http://www.youtube.com/user/llwroberts?feature=mhum
Please enjoy my newest (and greatest) video on Youtube to promote quality captions on television:
http://www.youtube.com/user/llwroberts?feature=mhum
Thursday, December 30, 2010
MEDIA: TV APPEARANCE BY LORILYN ROBERTS ON ATLANTA’S 57 WATC “Friends and Neighbors”
Lorilyn shares her testimony, faith, and talks about her book Children of Dreams, her family's appearance on Animal Planet's “Monsters Inside Me,” adoption, parenting, and more.
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